Research On Ye Xiushan's Aesthetic Thought

Ye Xiushan is one of the famous philosophers and important aestheticians in contemporary China.Ye Xiushan strives to construct a Chinese-style "life aesthetics" from the "world of human life",return to the ontology(existence),and form his "living" aesthetics of life theory.Ye Xiushan's "life theory" of aesthetic thought turned a new horizon for the development of contemporary Chinese aesthetics.Based on the "world of human life",he reconstructed aesthetics by returning to the basic existence of human beings,which became a kind of aesthetic development Important trends.Starting from the existing research,this article attempts to have a more complete grasp of Ye Xiushan's aesthetic thoughts,what why and how.According to the historical and logical process of Ye Xiushan's aesthetic thought,it analyzes its ideological background and theoretical origin,clarifies the ideas,summarizes the contents,systematically sorts out and presents Ye Xiushan's aesthetic thought system.Make a more in-depth evaluation of its overall characteristics and its contribution to the development of contemporary Chinese aesthetics.According to the internal logic of Ye Xiushan's aesthetic thought,this article is mainly divided into three parts:The first part discusses the background of Ye Xiushan's aesthetic thought from two aspects.First,the infiltration of Western philosophy.The basic principles and dialectics of phenomenology in Hegel's spiritual phenomenology,the research object of "world of human life" and the research method of "reduction" in Husserl's phenomenology,and Heidegger's existential philosophy became the main source of Ye Xiushan's aesthetic thought.Second,the growth experience and the impact of the family environment.Ye Xiushan's love for calligraphy and Peking opera,and his research on Western philosophy,further promoted the formation of his calligraphy aesthetics and opera aesthetics.The second part summarizes the main content of Ye Xiushan's aesthetic thought.This chapter sorts out the main contents of Ye Xiushan's aesthetic thought from three aspects:philosophical aesthetics,calligraphy aesthetics,and opera aesthetics.The first aspect is the studyof aesthetic principles,and the second and third aspects are the study of specific categories of artistic beauty.First of all,philosophical aesthetics discusses the origin of beauty and art and how art enables people to achieve poetic habitation in the world of life from the perspective of aesthetics and the world of human life,art and science,art and religion,art and history.Secondly,Ye Xiushan's study of Chinese calligraphy under the western "scratch road" constitutes his calligraphy aesthetics,and the "scratch road" under the unity of content and form,time and space is an expression of the human origin.As a result,Calligraphy is the witness of "living" thoughts,the performance of calligraphy is a symbol of the free existence of calligraphers,and calligraphy has become the existence form of human life.Finally,Ye Xiushan's aesthetic research on Peking opera centered on the Peking opera genre,singing skills and performance style,which constituted his opera aesthetics.As a result,the unified opera of song,dance,and drama is a mirror of life,and the charm reflects the law of the beauty of opera performance,the unique performance style is shown in the singing skills,making the Chinese opera become a preservation of the people's "living" history.In summary,this chapter defines concepts from "world of human life" and art,and summarizes Ye Xiushan's aesthetic thought.The third part is the evaluation of Ye Xiushan's aesthetic thought.After analyzing and summarizing the background and content of Ye Xiushan's aesthetic thought,the author strives to reasonably evaluate Ye Xiushan's aesthetic thought from two aspects of overall characteristics and meaning value.First,the overall characteristics of Ye Xiushan's aesthetic thought.It mainly includes the following points: The philosophy of beauty is the questioning of philosophy itself,the appearance of the "meaning" of natural life itself,and the ultimate appeal of the "root" and "bottom" of philosophy;the unity of metaphysics and Physics,Ye Xiushan's research on Chinese calligraphy and Chinese opera takes the theory of existence as the theoretical foundation and explores the original existence in traditional Chinese art;the unification of the most western and the most Chinese,in the context of the integration of Chinese and Western philosophy,Ye Xiushan studied Chinese traditional art in the way of Western philosophy,and explore the original existence of beauty and art.He unified Western philosophy and Chinese quintessence,and achieved the unification of the most western and the most Chinese.He believed that Chinese quintessence after absorbed the essence of Chinese and Western philosophical thoughts,it should bear the important task of building a Home of Chinese aesthetics.Second,the significance and value of Ye Xiushan's aesthetic thought.Ye Xiushan's aesthetic thoughts have practical significance.His aesthetic thoughts not only promote the development of art theory and art,but also benefit the construction of aesthetic disciplines.The aesthetic thought itself fits the real life,and it is an observation of the living life.Ye Xiushan's aesthetic thought has enlightening value.This kind of "life theory" aesthetics emphasizing the identity of subject and object,dialectics,the identity of "thinking,history,poetry" has obvious enlightening value for the research method of aesthetics.The shift from ontology and ontological aesthetic research paradigm to life theory embodied in his aesthetic thoughts has a positive guiding value for the development trend of contemporary Chinese aesthetics.