On The Aesthetics Perception And Expression Of The Transformation Of Techniques In "Painting Into The Calligraphy"

The understanding and application of Chinese traditional calligraphy and the "dotted line" writing method——The concept of "books with the same origin" put forward by Zhang Yanyuan in the early Tang Dynasty continued to the Yuan Dynasty.In the Yuan Dynasty,Zhao Mengfu proposed to inject the "line" rhyme of calligraphy into painting,which continued the understanding of "dotted line" in the fusion of calligraphy and painting.However,this creative concept changed in the late Ming and early Qing dynasties due to the change of the subject identity of the creative group.The aesthetic image of "calligraphy"represented by the group of literati and doctors has been transformed into the aesthetic image of "calligraphy,calligraphy and calligraphy" represented by groups of calligraphy and painting such as Fu Shan,Bada Shanren,and Shi Tao..:The technique of painting is transformed into the technique of calligraphy.What this group of survivor painters pursued is the visual acuity of space and shape.The increasing awareness of visual perception has given calligraphers a new understanding of calligraphy skills."Drawing into the book" has influenced the views and attitudes of calligraphy techniques in the choice of methods,and at the same time shows the particularity of this group,and has carried out a breakthrough innovation to the original inscription method.Aesthetic imagery has also shifted from the"neutralization" aesthetic calligraphy based on rubbings to the aesthetic art trend of"materialized" calligraphy lines.This thesis explores the aesthetic consciousness and expression form of calligraphy technique transformation from the perspective of technique transformation through the subject research with the theme of "painting into book".Using the method of comparative research,to find the trade-off between painting technique and calligraphy technique,and strive to explore the completeness of aesthetic image through the expression of "painting into a book".