Research On Chi Zijian’s Creation In The History Of Contemporary Literature

For contemporary Chinese literary circles,Chi Zijian has always been a unique existence;for literary historians and researchers who are keen to type research,she is a puzzle waiting to be solved.Some critics once said: "From the time of publication,Chi Zijian’s novels began in 1985.Since then,its specificity seems to have been born,and until the new 21 st century,her creations have never been independent.The basic type of stage literature gives belonging." Since entering the literary world,Chi Zijian has been using the area of the northeast of the white mountains and black waters as her creative theme to describe the magical natural landscape and local customs.There is a magical “contradiction” in her creation.The language is crystal clear and at the same time has the tenacity of “quality”.The gentle and delicate description also contains the state of grandeur.Since her creation,she has won many literary awards such as the 7th Mao Dun Literature Award and Lu Xun Literature Award.Although the award cannot be directly equated with the writer’s literary history status,it is enough to prove that Chi Zijian is at the center of the contemporary literary world.,Is also a "weight" female writer among contemporary female writers.However,Chi Zijian,who is in the literary world with a stable and high-quality creation,was "coldly treated" in the writing of contemporary literary history.In many contemporary literary history works,Chi Zijian’s works and their aesthetic artistic features are hardly introduced and analyzed in detail,or even "ignored" directly.Chi Zijian,who has entered the historical field of vision,has not obtained the status of literary history that matches his literary creation.Behind this phenomenon,what problems exist in the writing mechanism of contemporary literary history? With these questions in mind,this article focuses on the above issues and writes around the following three aspects: Chi Zijian’s current history and reasons,the ontological and historical value of Chi Zijian’s creation,and how Chi Chijian’s writing is related to the history of literature.Make organic connections.The structure of the entire paper is divided into the following three parts:The first chapter gives a general overview of the current status of writer Chi Zijian’s "entry into history" and studies its reasons.The first section describes Chi Zijian’s current "entry into history" situation.In the selected 20 authoritative literary history,10 of them mentioned ChiZijian’s literary creation,but most of them only included Chi Zijian in the chapter of "feminine literature" and replaced it with a few simple strokes.It is revealed that although Chi Zijian has entered the field of writing of contemporary literary history,it has not caused historians sufficient and due attention.The second section selects several typical female writers that frequently appear in the history of contemporary literature: Wang Anyi,Chi Li,Fang Fang,Chen Ran,and Lin Bai.By comparing Chi Zijian and their status in literary history,it is concluded that Chi Zijian’s constant creative style and quality are not similar to those of many mainstream literary genres.At present,the development of ideological trends and genres is used as a clue to connect the whole In the paradigm of literary history writing in the context of literary history,the "maverick" does not prevail.The third section analyzes the reasons why Chi Zijian was unable to enter the central field of literary history.On the one hand,due to the gap between the writer’s own stable aesthetic pursuits and historical views,on the other hand,by analyzing Lu Yao,Shi Tiesheng,Wang Xiaobo and other "forgotten" literary history The similarities and differences between typical writers and Chi Zijian’s creations,it is concluded that the current literary history writing has rigid and obsolete historical views,lacks a sense of innovation,and lags far behind writers’ creation speed.It also proposes to break the existing compilation method,establish a mobile and diversified narrative style and structure,and incorporate the reader’s acceptance history into the scope of the compilation of literary history,strengthen the sense of innovation,respond to the development of the times,and form a more complete and dialectical Paradigm of Literary History Writing.The second chapter expounds the unique ontological value and historical value of writer Chi Zijian.The first section analyzes the creative spirit of Chi Zijian’s "Harmony between Man and Nature".Chi Zijian’s "harmonious" creative spirit is reflected in the "harmony" of the relationship between man and nature,the "harmony" between people and people."Harmony" with the fate of the self and the times.The second section expounds Chi Zijian’s artistic style of "desolation and poetry".She confronts the desolate and miserable real life,while leaving people with hope with tender brushstrokes,followed by elegant poetic language,prose style and free-spirited images.And the creation of artistic conception makes his creation full of poetic.Thethird section discusses the historical value of Chi Zijian’s creation of "inheriting from the past and starting from the back" from two perspectives: "the lyric tradition is inherited in the same vein" and "the pioneer of contemporary Northeast Frontier literature".Her creation continues the modern lyrical narrative tradition handed down by writers such as Xiao Hong,Shen Congwen,and Wang Zengqi,writing poetic language and prosperous life in ordinary people with poetic language and prosperous writing methods.Chi Zijian’s excellent literary works on the remote areas of Heilongjiang undoubtedly injected a boost into the current Northeast literature.The third chapter provides three keywords for Chi Zijian’s creation from the perspective of his creation.The first section starts from the work "Right Bank of the Erguna River" and discusses the historical value of Chi Zijian,a Han writer’s identity,and the objective and authentic concept of cross-ethnic writing in the history of the Ewenki people.The second section cuts through the keywords of "new rural writing",analyzes Chi Zijian’s creation from the creative characteristics and spiritual core of the local novel genre,and explains that under the erosion of the modern wave that changes with each passing day,Chi Zijian’s traditional humanity is beautiful Eternal pursuit.The third section cuts through the keyword "ecological literature".At the moment when environmental pollution is increasing,ecological literature has gradually become an important new trend in the development of world literature.No matter it is a novel or a prose,Chi Zijian’s creations all show a distinctive ecological and world consciousness,which is of great significance to the promotion and development of contemporary Chinese ecological literature.