An Analysis Of The Playing Skills Of The Wheel Sound In The Yangqin Music Lisao

In the late Ming and early Qing Dynasty,as a kind of stringed instrument which was popular in the Middle East and other countries,it was introduced into China.It was first popular in the southern coastal areas of China,and then gradually penetrated into the interior through the transformation of folk artists,forming the Chinese national musical instrument Yangqin.After the reform and opening-up,a large number of outstanding Yangqin composers emerged,their works of Yangqin deeply rooted in the hearts of people,one of the most famous Yangqin music,Li Sao,is one of the excellent works of Mr.Huang He,a musician,composer and music educator.Created in 1991,the Dulcimer Lisao by the composer Huang He pays tribute to Qu Yuan's tenacity and expresses his deep memory of Qu Yuan.The technique of wheel sound is the most important technique in this music,and it is also the key to the performance of "Li Sao".This article through three chapters to the yangqin music "Lisao" the wheel sound technique carries on the analysis.From single bamboo wheel to double bamboo wheel,from theory to practice,from emotional expression to skill practice,this paper makes a horizontal and vertical analysis of the skills of wheel sound technique in Lisao.The author sums up the experience of playing the wheel sound technique in Lisao,a Yangqin tune,and arranges the difficult practice and playing methods.Hope to be able to provide a solid foundation for the success of the author's degree concert.