The Writing Of Urban "Alien" In The Novels Of Shandong "Post-70s" Female Writers

In the new period,Shandong literature has a strong momentum of development,and a large number of outstanding writers have emerged,such as Mo Yan,Zhang Wei,You Fengwei,who have provided a huge demonstration for the development of Shandong literature.Under their leadership,Wang Xiumei,Emma,Chang Fang,Dong Zi and other outstanding "Post-70s" female writers came into the public vision with a unique writing style into and become a beautiful landscape.Although the individual life experience of the female writers is different and the novel creation also presents the different style,their novels have gradually formed a trend of collectivization with the holy land of Qi Lu.Therefore,it is necessary to bring them into a literary group and further explore their novel commonalities.Therefore,this article focuses on the creation of short and medium-sized novels by the female writers of the "Post-70s" in Shandong Province,and takes the "alien" in the city as the starting point to discuss their novel world the from three aspects: the "crawling" life of urban intruders,the spiritual "wasteland" of urban strangers,and the aesthetic expression of the "alien".In the introduction part,firstly,the research origin of this topic is briefly introduced,and the existing review materials of this group are sorted out;Secondly,the research topic of this paper-"alien" is conceptually defined and explained,briefly sort out the development and changes of the image of "alien" in the history of Chinese literature,and finally points out the author's understanding of the concept of "alien".The first chapter is mainly about the study of the urban migrants(migrant workers)in the context of spatial migration.Starting from the specific text,this paper discusses the living difficulties of the outsiders on the edge of the city,including the external material dilemma and the identity anxiety under the background of cultural conflict.On the one hand,these urban migrants have to face the huge pressure brought by material survival,on the other hand,they have to bear the embarrassment of identity not being recognized.They can neither really integrate into the city or retreat.they are suspended "stranger".The second chapter focuses on the study of urban individuals who maintain the state of spiritual alienation from the city.They are mainly from the intellectual class.For them,urban modernization is more reflected as a kind of shackles of civilization.They may have no worries about food and clothing in material life,but in spirit,they can never be integrated into the city.Loneliness,confusion,absurdity and despair are their common mental states.They are eager to "escape" and "go far away".To someextent,the description of the spiritual wasteland of the urban strangers by the writers after the "70s" in Shandong Province reflects the psychological experience and philosophical cognition of the writers.The third chapter analyzes the aesthetic artistic ability of the novels written by the "post-70s" female writers in Shandong from three aspects: the creation of dual narrative space,the choice of narrative strategy and narrative style.In the conclusion part,the author summarizes the writing of the urban "alien" female writers of the "Post-70s" in Shandong Province,affirms their creative value,and pointing out some deficiencies of their creation.