Spatial Expression And Application In Traditional Landscape Painting

In landscape painting creation,the treatment of spatial expression is an indispensable link.Since Guo Xi in the Northern Song Dynasty put forward the "three yuan" method and pushed it to the commanding height of theoretical summary,the discussion on spatial expression in landscape painting has become more and more.The author from the previous theory and combined with their own creative practice,the new study,the problems of the landscape space representation in the process of the landscape painting creation,the main characteristic of the space performance for the using of the false or true contrast,superimposed space performance,freedom viewpoint of space three aspects,to contrast and change.In addition,from the overall layout and management of the picture,to the specific treatment and performance of the use of brush and ink,to the comparison of the relationship between the virtual and the real,as well as the learning,reference and thinking in the creation process,the author has completed the creation of "Home in the Landscape" series.In the process of creation,the author from the study of traditional landscape painting space to the conception,composition and performance of walking the whole space utilization,to rethink after creation,the writer further realize:the painter for the processing of images on handling of space,the space also is not exist independently,and its need to ink the level,the actual contrast,rocks,trees,primary and secondary relations and the composition is made in the form of the "potential" to present spatial relationship of landscape painting.