Study On The Application Of Da Piao Ou Bi Calligraphy Thought In Calligraphy Creation

Yang Bin was a well-known calligrapher,writer,and epigrapher in the Qing Dynasty.Da Piao Ou Bi is his representative calligraphy research work.This book contains all kinds of calligraphy,and it has almost researched all of the gold stone inscriptions from Xia,Shang and Zhou to the Yuan,Ming and Qing dynasties.It also discusses various aspects of the writers,the book body,the methods of learning books,and even the use of pens and inks,and expresses its own unique opinions.It can be said that it is a general calligraphy work in the early Qing Dynasty,which has relatively important theoretical value and historical value of calligraphy.This article mainly researches from the following aspects:First,introduce the basic situation of Yang Bin and Da Piao Ou Bi,including the brief introduction of Yang Bin's life,the background of the book,the basic frame and conten.It combines Da Piao Ou Bi and Yang Bin's main calligraphy work to analyze its calligraphy practical experience and calligraphy style characteristics.Secondly,based on the literary thoughts in Da Piao Ou Bi,as a main clue,the study of Yang Bin in the Da Piao Ou Bi is discussed from three aspects: the concept of learning method,aesthetics and practice thought.Finally,it analyzes the enlightenment of the philosophical thoughts in the Da Piao Ou Bi to my calligraphy creation.Studying Da Piao Ou Bi and discovering its philosophical thoughts are of great reference value for us to understand the history of calligraphy in the early Qing Dynasty.Since this is a note recorded by Yang Bin personally,it is more authentic and understands ancient times for us.Golden stone tablets and calligraphy studies will be of great benefit in the future.