A Comparative Study On The Cantos Of Hong Mei Zan In Peking Opera,Han Opera,Chu Opera And National Opera

Hong Mei Zan was selected from Jiang Jiewhich was based on the famous revolutionary novel Hong Yan.and created in 1964,written by Yan Su,composed by Yang Ming,Jiang Chunyang and Jinsha."Jiang Jie".screened for the first time by the opera troupe of the general political of the People's Republic of China,is the second important national opera created in our country.Its birth had a great influence on the society at that time,and it also became the forever classic in the heart of Chinesecitizens.Jiang Jiewas performed in public for more than 20 times in one day,and there were no empty seats,causing a strong response from the community.Years later,under the influence of the opera "Jiang Jie" performed all over the country,the Huang Shi Han Opera Company premiered the Han Opera version of Hong Mei Zan in 1965.In 2001,the Peking Opera of Cheng combined Peking Opera with National Opera to create anew opera style of Hong Mei Zan,which took the opera to great heights.Then the Chu Opera Hong Mei Zan appeared on the stage in different kinds of opera again.Spreading over decades,Jiang jie was still in high praise in our field.This study consists of four parts.The first part contains the Jiang Jie's creating background of Beijing Opera,Han Opera,Chu Opera and National Opera In the second part,it is focuses on the music styles in these four kinds of operas,especially,characterizing the music creating styles,name of tunes and languages when performing Hong Mei Zan in Beijing Opera,Han Opera,Chu Opera and National Opera.The third part uses theartistic singing of Hong Mei Zan as an example,analyzing the singing process of Beijing Opera,HanOpera,Chu Opera and National Opera,and making a further study on the characteristics of singing,vocal cavity and languages.The fourth part is the performing comparison of Beijing Opera,Han Opera,Chu Opera and National Opera.Among them,the commonness of singing techniques and role shaping and the differences of music style,together with singing style,regional characteristics and language characteristics are analyzed deeply.Taking Hong Mei Zan as an example,this paper analyzes the background,singing,regions and languages in detail,resulting in a more accurate method to grasp the interpretations of these different Opera styles.By understanding the integration and differences between them,this paper analyzes the cognition of these three dramas and national Opera methods.At the same time,it is also recognized that in the new era,all kinds of art forms are not complacent,and containing great innovation and creation.Benefits from taking the essence and discarding the dross with each other,all these art forms contributes tremendously to the development and inheritance of modern Chinese national music culture.