The National Character Of Mongolian Peking Opera

This article analyses the nationality character of music in the opera of Mongol, and expand the discourse from the melody, orchestration, musictheme, singing in multi-sectionspecific repertoire. And have the contrast of horizontal and vertical style of music features discussed in multi-angle with traditional Peking Operaand Mongol music (long tones、ErRen Tai and Man Han diao).Mongol operaconstantly absorbing the advantages of the folk music and traditional opera musicin the development process,,The content and form of Mongol opera unified based on the national character and tradition expand the expression way.In the develop process of Mongolian Peking Opera, the artists mixed the uniq ue folklore of Mongolian with the composition of Peking opera music, which made a combination between national music and opera music, forming the character of M ongolian Peking Opera with the distinguishing feature of Mongolian music. The co mposers of Mongolian peking Opera Troupe creatively combined the Mongolian fiddl e(Ma-Tou-qin) and Jinghu together, which were separate instrument with different color and expression, with the conception of taking root of Inner Mongolia gras sland and the style of grassland feature. Starting with the life of people livin g in the grassland, and based upon reflecting their the material and spirit feat ures. Taking spreading the culture and enrich the spirit culture of grassland pe ople as self-responsibility, using multi-techniques of art creature, insisting o n reforming the expressing techniques, striving to keep close to the aesthetic n eeds and cultural characteristic of local people, and create the opera art that Mongolian people love to see and hear.