He Haixia's Study On Waterside Pavilion

In the long development process of Chinese landscape painting,it is through the continuous efforts of many generations,and it will go through the process of inheritance,innovation and development cycle repeatedly.The first step in our study of landscape painting is to learn the ancient method,and to "copy" into the painting is to integrate our own feelings and cognition on the basis of the predecessors to inherit and develop."Imitation" in landscape painting is not a copy of the copy of the work,but with the attitude of scholars engaged in artistic activities.That is to say,it does not take a specific work as the basis,but takes a certain artistic style,subject matter,and brushwork characteristics of a certain home as the reference and combines with the artist's own artistic characteristics to create actively.In fact,"imitation" is a kind of creation.For example,the "four Kings" landscape paintings in the early qing dynasty,wang shimin's "imitation of wang meng's landscape" and wang jian's "imitation of giant mountains and rivers" are all "imitation of the ancient" to the predecessors,which have influenced the descendants for more than 300 years.This paper is a case study on the combination of "imitation" and "waterside pavilion" by he haixia.This study is intended to supplement the early painting art of he haixia and further deepen the understanding of the development process of her painting art.The author will carry out the narration from three aspects: firstly,it is about the waterside pavilion.Starting from the background of the creation of the waterside pavilion by he haixia,the author will understand the inheritance and storage of the waterside pavilion,and reveal the influence of the painter's environment and his own life experience on the creation of this work.Secondly,combine the work way of case analysis,focus on rumor to KunCan a vein of inheritance and innovation of techniques,respectively from the art of composition,brushwork,color characteristics and overall modelling style carries on the analysis on the image,the image we are extracted and all key elements of making further parsing.Finally,the author analyzes the research and value of shuibian pavilion.The author also collectsrelevant research literature and reference materials to supplement and study the early painting art of he haixia by analyzing shuibian pavilion.In this way,I have a more comprehensive understanding of he haixia's early painting style,and a more multi-angle analysis and interpretation of he haixia's painting works.It provides some reference and help for the latter to study the artistic characteristics of he haixia.