A Study On The Poems Of The Tang People Staying Overnight By The Waterside

In recent years,thematic study of Tang poetry is particularly popular.The “poems of staying overnight by the waterside ”are poems about the night stay and the mooring of the ship.The mooring refers to the time between dusk and dawn when the ship stops,and the mooring refers to the place where the night stay is in the boat or on the shore.The dimension of staying overnight by the waterside poetry is time.The poet's thinking and activities come from the day,and the night is the continuation of the day,which is also the important background for the birth of staying overnight by the waterside poetry.Space is the longitude of poems.Close to the landscape,it inherits the traditional aesthetic spirit of the landscape,but not only displays the pure joy of the landscape,but also pays attention to the spiritual outlook of the subject,human,between the objects of the landscape.In a word,the poem of staying overnight by the waterside is a combination of traffic and literature.There are two sources of staying overnight by the waterside poetry: one is the theme of fetters,and the other is the related writing of the theme of night.Staying overnight by the waterside poems originated in SAO poems,tuoyu in the wei and jin dynasties,the beginning of the nineteen ancient poems.By the Tang dynasty,the poems of staying overnight by the waterside were complete in form and aesthetics.The Tang people inherited the fetter subject matter tradition of poems from the pre-qin period to the wei,jin and the southern and northern dynasties and developed staying overnight by the waterside into an independent subject matter category.In the Tang dynasty,there were more than 400 poems about staying overnight by the waterside.In the modern style,there are more jue poems than quatrains,more wulv poems than qilv poems,and more qijue poems than wujue poems.From the early Tang dynasty to the late Tang dynasty,there were dozens of poets who could represent the peak of Tang poetry.Among them,song zhiwen,luo binwang,du fu,li bai,liu changqing,liu yuxi,wei zhuang,lu lun and others with outstanding achievements have all demonstrated their outstanding artistic talent in writing staying overnight by the waterside poems,which eventually formed a considerable creative peak.In the middle Tang dynasty,the theme of staying overnight by the waterside also gave birth to such popular works as zhang ji's fengqiao night mooring,lu lun's late times ezhou and so on.In the narrow sense,the poems of berth are mainly about the theme of the Tang people's drifting on the water and traffic lines,including the two situations of sleeping on the boat and sleeping on the boat at night.However,some poems with the theme of "night flooding" and "boating" can also be included in the scope of discussion.Nocturnal poetry is a kind of poems in broad sense.In his writing practice,the poet inherits many mature images in his traveling poems,sublimates the boat image containing the sense of suffering,the ape image embodying the sense of life tragedy,and adds the north and south images reflecting the political sorrow and bitterness of the Tang dynasty.There are three main characteristics and achievements in the art of staying overnight by the waterside poetry.First,it has a strong flavor of life,expands the scope of social life,expands the subject range of Tang poetry and the artistic function of expressing thoughts and feelings.Second,the scene blends,the boundary is like,the description of the sound and color is outstanding.The poet skillfully USES the synesthesia technique,finally surpasses the visible and audible boundary,captures the subconscious and the intuition impression,displays the innermost feelings to be touched deeply;Third,break through the "poetic relationship" of the creative routine,there is a freehand bias,intended to be the first scene,feeling and development,forming a three-dimensional sense of poetic beauty.In the middle and late Tang dynasty,poets showed an irreversible flow from north to south.A large number of foreign poets came to the relatively remote and wild southern waters,such as bashui river basin,hanshui river basin,dongting lake basin,jiangzhou river basin and lingnan river basin.Psychologically and visually,the poet was touched by the scenery in the southern waters and wrote many poems of regional customs.This part of the poem records the unique natural scenery and humanistic spirit of these southern waters at that time,and can reflect the poet's preference in reflecting regional culture.The water culture in the remote areas of south China influences the creation of poets from positive and negative directions.No matter actively accepted or passively reflected,poets will absorb the unique cultural characteristics of these southern waters invisibly.