The Han Dynasty Society And Win And Drum Music

As the peak time of the development of Chinese culture in Han dynasty,it has extremely important position in history,which has been focused by researched for ages.However,in the society of Han dynasty,from travel of Emperor to national ceremony,even funerary with the dead,there is always accompanied with wind and drum music.As a music type emerging in that period until now,wind and drum music has attracted much attention by academic circle,and no matter the historical document resources,or the research results,it has rushed many research works about it.However,However,as to the current researches,most of them focus on the exploration on the musical morphology of wind and drum music from the perspective of musicology,while it is rare for the research on the relationship between wind and drum music and society in Han dynasty.As to the reason of wind and drum music into court music system in Han dynasty from folk to realize this spatial switching,it could not be separated from the great promotion of centralism by the Emperor Wu,from its frequent participation in the major national activities at that time,wind and drum music was not merely a music type,while it carried important political function,participated in the transformation of society in Han dynasty and the construction of its social sequence directly or indirectly,so that we can realize that its social attribute is more worthy of our attention than its music attribute.In this thesis,it takes " wind and drum music in Han dynasty" as the main research object,and discusses it from two aspects,which are "society in Han dynasty”and" wind and drum music”.It is divided into five parts.The first part is introduction,including the dissertations reason,research status,put forward of related problems,and clarity on the society and system under the condition of difference in ancient and modern society.The second part is the first chapter,mainly involving the social backgrounds in the pre-Qin period and Han dynasty.In this chapter,it has brief introduction on the situations in these two dynasties,discusses and makes clear about them from national system,social structure,and political idea,so that it can control the main features of the society.The third part is the second chapter,which mainly studies the specific condition of wind and drum music in Han dynasty.By means of the clearance on the current research result and original document literature,it discusses the origin,classification,service condition,and function of wind and drum music,so that it can see the big picture of wind and drum music in Han dynasty.The fourth part is the third chapter,mainly discussing the connection between wind and drum music with social operation in Han dynasty.According to the character and demand of society in Han dynasty deduced from the above chapter,by means of the research on the interaction between wind and drum music with political system,social order,and culture in Han dynasty,it can further discuss the relationship between wind and drum music with with society in Han dynasty,so that it can testify the connection of wind and drum music with social transformation and system construction in Han dynasty.Finally,it has diachronic observation on wind and drum music,briefly illustrates the service condition of wind and drum music in Wei and Jin dynasties,so that it can prove the influence on the politics.The fifth part is conclusion,which summarizes the application of wind and drum music in Han society,provides answer on the emergence of it in Han dynasty with the combination of social social nature and demand at that time,exposes the importance of social nature in the order construction of Han society and the interaction between it with social politics.