Shanxi Fenyang Tiger Head Wadang Research

The emergence of tiles is due to people's need for the safety of building roof construction.The practical application of tiles is at the top.With the continuous development of architecture and the improvement of human aesthetic consciousness,people decorate it on the basis of satisfying the actual application function,which has certain significance for the development of traditional architectural culture.The residential houses of Fangyang in Shanxi are dominated by tiger heads.The main reason for their occupation is closely related to the formation of the local tiger culture.One of the essential reasons for the formation of Shanxi Fenyang tiger culture is the long-term tigers in Fenyang,Shanxi in the Ming Dynasty Suffering.The long-term tiger affliction in the Ming Dynasty seriously affected people's lives and safety,and the reason was due to the destruction of forest vegetation in Shanxi by humans.The second reason for the formation of tiger culture in Fenyang,Shanxi lies in the status of tigers in the social class.For example,in the Warring States,Qin,Han,and Southern Song Dynasties,the Tiger Rune is the credential for mobilizing the army.It is divided into two in the shape of a tiger.In the Yuan Dynasty,the tiger head was used.The tiger can be said to be a symbol of power.The third reason for the formation of tiger culture in Fenyang,Shanxi is that the migration of the population promotes the exchange and integration of foreign cultures.People in Shanxi pay attention to the construction and decoration of homes,and the "three carvings" motifs in residential buildings express the master's inner expectations of the family.The decorative cultural connotation of Shanxi folk house architecture not only promotes the ethical education culture of ethics,but also embodies the beautiful and ideal folk belief culture,and at the same time contains the Fengshui culture of exorcism and disaster avoidance.As one of the components of traditional houses in Shanxi,Wadang was decorated with patterns,making it one of the carriers of the spread and development of tiger culture.This article sorts out the production materials and traditional craftsmanship of Hutouwadang.The choice of production materials is restricted by the strict feudal grade.The local Hutouwadang is mainly made of gray pottery,and its traditional production process is more complicated.,The production process has regional characteristics.In the Ming and Qing Dynasties of Fenyang,the tiger head tiledecoration was mainly in the form of a single individual,and the combination of various patterns and shapes was rare.The particularity of the Inwadang carrier determines that the face decoration must use concise methods to depict individual objects,and highlight the personality characteristics of the beast in a simple and eye-catching expression.The decoration of the tiger head tile in Fenyang,Shanxi seeks to shape the true character of the tiger.Its pattern pays attention to the beauty of symmetry.In an absolutely symmetrical structure,it shows the beauty of order in the house of Fangyang.Based on the research of Hutou Wadang in Fenyang,Shanxi,he proposed two possibilities for its inheritance and application.The first is to strengthen and improve the protection measures for ancient buildings,and ancient buildings that have not been severely damaged should be repaired.And perfection makes Hutou Wadang and residential buildings more systematically inherited and protected.For residential buildings that have been severely damaged and cannot be repaired,the original Hutou Wadang should be protected,which can be preserved in the museum and leave physical evidence for future generations.The second is to extract its elements,combine it with local folk cultural products,and put the culture into the business model,so that Hutou Wadang culture produces commercial value;this can not only show the spiritual thought and cultural connotation of the local people in Fenyang,It can also inherit the regional culture of Fenyang in a new way.