Research On The Strenhth Of Schumann's "fantasia Collection Op.12"

In physical phenomena,the intensity of the sound generated by the amplitude of the sounding object's amplitude has a deeper meaning in piano music and is one of the important forms of interpretation of musical works.The correct understanding and control of the force can play a role in modifying the music melody,expressing the music content,shaping the personality characteristics and highlighting the music atmosphere in the performance of piano works.Musicians in the Romantic period have strong personal emotional expression needs,which require great musical tension,and the contrast between the strength of the music is greatly increased.Schumann,as a representative pianist in the romantic period,used a lot of complicated changes in his creation in order to achieve better emotional venting.His work No.12 "Fantasia Collection" contains eight small songs with different styles and rich images.Their changeable style is inseparable from the force.This article takes the force in music as the research object,puts aside the psychological and environmental and other influencing factors,only from the music score and actual performance angle to explore the law of force performance.The research idea can be divided into four steps: the first step is to start from the score information,and the strength markers on the score show Schumann's own creative needs to a certain extent,and also provide reference suggestions for the players to deal with certain strength,but they can't do it.Everything is complete.At this time,the actual performance audio of the pianist needs to be used to better understand the dynamic changes of more details.This is the second step of this study-sound research,which is generated by listening and observing the contrast audio software.Of the spectrogram.The third step is to link the two,analyze the strength of the pianist's strength in the actual performance where there is no marker,and then clarify the general law of strength in the piano performance,and finally put forward suggestions on the strength treatment of the player..Based on this line of thought,the article is divided into three parts: the first part elaborates the related concepts and historical evolution of the strength in piano music;the second part draws on the research methods of ethnomusicology directly facing specific musical matters,and uses Schumann's "Fantasy Collection" "Op.12" is a case,from the two aspects of spectrum observation and sound visualization,it makes a detailed analysis of the strength of its eight small songs,firstly analyzes the strength terms and marks in the score,and then uses visual multimedia technology,from two The pianist's performance audio explores the player's understanding and processing methods of the spectrum surface strength markers;the third part focuses on the influencing factors and interpretation points of the actual performance of the strength,providing a reference for the player's actual performance of the work,giving this paper reality significance.