Research On The Anti-Japanese Propaganda Of Woodcut During The Anti-Japanese War

In the 14 years of the Chinese people's arduous Anti Japanese War,literature and art propaganda has always been one of the more important and effective ways of propaganda.Among them,woodcut engraving itself has the advantages of convenient production,strong contrast between black and white,easy to carry and so on.Woodcut prints of various themes and regions all played an important role in the propaganda of Anti Japanese war.In order to enable the Chinese people and the people of the world to understand China's Anti Japanese War and support China's Anti Japanese War,woodcut prints carried out many propaganda activities in the Anti Japanese War,and all kinds of propaganda activities went deep into the vast areas of China with the efforts of print workers,so that people of all walks of life in China could understand their own war and support their own war.The purpose of studying these woodcut prints from a historical perspective is not to understand the artistic value of the woodcut prints themselves,etc.,but to reflect the spirit of the artists at that time and the propaganda status of the woodcut prints behind these woodcut prints.This paper is divided into four parts.The first part mainly introduces the contribution of Lu Xun,the advocator of new woodcut printmaking,to the new woodcut printmaking activities and the new woodcut painters in China.The second part mainly lists the woodcut prints of different themes and different regions in the Anti Japanese War period.Behind the analysis of the prints of different themes,it analyzes the internal cultural factors and propaganda functions of the prints of different themes and different regions.The third part is from the woodcut prints in the Anti Japanese war activities,to analyze the various woodcut prints in the Anti Japanese war activities is how to promote the Anti Japanese War to support the Anti Japanese war.The fourth part analyzes the characteristics and shortcomings of woodcut engraving in the whole Anti Japanese War,as well as its position in the Anti Japanese War and so on.In the conclusion part,the author analyzes the time division of woodcut and some confused concepts.The study of woodcut prints in the Anti Japanese war can be analyzed not only from the perspective of art,but also from the perspective of history and culture,which is conducive to deepen people's understanding and understanding of the Anti Japanese War literature and art publicity,so as to prove the history of cultural Anti Japanese war.