Research Of Rear Area During The Anti-japanese War Woodcut Exhibition

After the July7th incident, developed by lu xun in the early30s advocate emerging along with the change of the war situation, wood carving art in chongqing as the center of the home front gradually deduce become an anti-japanese national salvation as its theme of woodcut movement of the war of resistance against Japan. The movement for its never eulogists ancient and modern, Chinese and foreign, scale, form, influence, and with its distinctive militancy, universal nature and become China’s anti-japanese vanguard on the front of the national and main force. Once upon a time, as the main content and form of woodcut movement of the war of resistance against Japan, the burgeoning woodcut exhibition become the home front work cabinet-makers, battle battlefield, also made a unique scenery line in the rear area in the social and cultural life in wartime.In the anti-japanese front, woodcut youths from all over the country, the life pursuit of personal, artistic ideal and national liberation, national independent career closely together, writing a special and splendid chapter in Chinese modern and contemporary art history. Especially after1942, Chinese society of wood carving, rapid development, drive home front woodcut movement in chongqing, guilin for spindle, sichuan, guizhou and yunnan city positive response, the heroine woodcut exhibition all climax, present a vigorous, spectacular. Chongqing, guilin woodcut exhibition is the main part of the home front woodcut exhibition, cloud, guizhou, sichuan and other woodcut exhibition become a branch of the home front, their common historical present fully embodies the political orientation of the anti-japanese national salvation movement of literature and art and artistic features. In this paper, since the1937outbreak of the war of resistance to Japan’s unconditional surrender in August1945, eight years, woodcut exhibition development in rear area comprehensively in this paper. Its contents include a variety of size, shape, properties of woodcut exhibition, displaying works, the author and social influence, etc. Paper in the first chapter and the second chapter on China’s wartime capital of chongqing and the rear area of the war of resistance against Japan culture center of guilin city woodcut exhibition, from rise to climax as a comprehensive and systematic research is discussed; The third chapter of sichuan and guizhou cloud, etc, and comprehensive description of woodcut exhibition; The fourth chapter mainly introduces the home front woodcut exhibition ended; Last chapter from the development of China’s new woodcut movementThe purpose of this paper is to systematically the Anti-Japanese War through a rear area woodcut exhibition historical carding, research, through which, on the one hand, hope to have more in-depth understanding of this period of history, on the other hand for writing Chinese art history of the war of resistance against Japan in the next step for the construction of basic work.