Homogeneity And Heterogeneity In Ontology Language Of Heilongjiang Printmaking Form

This paper firstly studies the expressions and cultural changes of Heilongjiang prints under the era of Heilongjiang reclamation since the founding of the country through literature research.Then it explains that in the context of reform and opening up,it analyzes the picture elements of contemporary Heilongjiang art works for further elaboration.Finally,it discusses the extension of the boundary between contemporary Heilongjiang print painting images and language.The full text is mainly divided into six parts.First of all,it briefly introduces the topic selection,research significance,domestic and foreign research review,overall thinking and the structure of the thesis,and then explains the application of "homogeneity" in graphic creation and "homogeneity" in printmaking.In the creation,"homogeneity" is used as the expression language in graphic creativity.In graphic creation,we are proficient in using text,graphics,and colors,and directly or indirectly use them to make them constantly cooperate to express the infection of graphics.Force and visual impact.The third chapter mainly discusses the use of "same" and "different" in the ontology language of Heilongjiang prints.Based on the analysis of the ontology language of Heilongjiang prints,it also analyzes the expression of picture language in the woodblock print woodcut prints and watermark woodcut works.The application of homogeneous isomerism in it,the fourth chapter discusses the application of homogeneity in Heilongjiang prints,and expresses the manifestation of "different" from the thematic isomerism and the shape isomerism of objects..The fifth chapter discusses the extended thinking of homogeneity and heterogeneity in the language of contemporary printmaking in Heilongjiang,and finally concludes the full text.