Research On Art Forms And Cultural Connotation Of The Plant Motifs During The Period Of Han Dynasty

The plant motifs is a big category of Chinese traditional motifs theme,its formation and development process pass through ancient and modern times,long and tortuous.The Han Dynasty was an important time point for the development of plant motifs from the beginning to the transition period.It combined with the religion,philosophy and social customs of early China,it is the result of a mixture of primitive views of nature and emotions.It is also the result of the evolution of Native Plant Motifs in Central Plain.Compared with the influence of foreign culture and humanism in the Wei,Jin,Sui and Tang dynasties,the plant motifs in the Han Dynasty has its special aesthetic interest and inner cultural core,which is characteristic of the Times.The plant motifs of the Han Dynasty to a certain extent continued the plant motifs formed in the pre-qin period,and at the same time,under the influence of various factors such as political motifs,ideological evolution,general and individual aesthetic orientation,gradually formed a strict composition,the spirit of the unique shape,micro-point of view,different motifs of plants carrying different cultural connotations,from a macroscopic perspective,the plant motifs of the Han Dynasty also reflect the gradual awakening of the humanistic consciousness in the real life.This topic takes the Han Dynasty plant motifs as the research object,first through the literature investigation method,summarizes the domestic and foreign research present situation,unifies the retrieval literature and the museum's on-the-spot investigation material,limits the research object to be in the time,the region,the classification of research carrier of Han Dynasty plant motifs.On this basis,first of all,the plant motifs in the Neolithic Age,Shang and Zhou Dynasties,Spring and autumn,Qin four periods of the stage of visual presentation form,taking Shan Hai Jing and Huainanzi as the representative documents,the cognition of plants from pre-qin to Han Dynasty was analyzed,which laid a foundation for the study of plant motifs in Han Dynasty.Secondly,by analyzing the carriers with plant motifs,the paper sums up the types and evolution of plant motifs in Han Dynasty according to the motifs,combination contents and traditional names.Based on the extraction and Statistics of 21 plant motifs color samples in Han dynasty,the color characteristics of plant motifs in Han dynasty were summarized from the aspects of Hue types,color collocation rules and color distribution.On the basis of the form system,the paper further explores the form layout funct ion and ideographic function of the plant motifs in the Han Dynasty,and analyzes its artistic features by means of expression.On this basis,combine with multiple factors such as the background of the times,the cultural factors affecting the plant motifs of the Han Dynasty,and the specific types of plant motifs to interpret its cultural connotation.The influence factors and cultural connotation of the plant motifs in the Han Dynasty are discussed,and the research system of the plant motifs in the Han Dynasty is constructed gradually.Finally,combining the above analysis of the characteristics and cultural connotation of the plant motifs of the Han Dynasty,combining with the positioning and application cases of other traditional motifs in the contemporary era,the double identity of the plant motifs of the Han Dynasty is summarized,based on the modern constitution theory,this paper further ponders the concrete methodology of the Han Dynasty plant motifs as a kind of traditional motifs in the contemporary inheritance,and integrates the form and cultural connotation of the Han Dynasty plant motifs with the modern design,make its coruscate gives out new vigor in contemporary,realize the win-win of both traditional motifs and modern design.