Research On The Drama Art Of Shi Tuo’s "Grand Circus"

Shi Tuo is a very important writer in the history of Chinese literature.He not only succeeded in the creation of novels and prose,but also achieved remarkable achievements in the field of drama creation,especially the creation of " Grand Circus" was the most successful." Grand Circus " is the first drama written by Shi Tuo.It is based on the Russian writer Andreyev’s " Slapper ".The creation of this drama shows the talent of Shi Tuo in drama.This drama represents the highest achievement of Shi Tuo’s drama creation and is of great research value.Therefore,this article will analyze the text of " Grand Circus " from the aspects of drama image,drama language and drama conflict.This article will combine the relevant theories of theatrical art creation to explore the dramatic artistic achievements of Shi Tuo’s "Grand Circus ".The article is mainly divided into the following sections.The introduction part mainly introduces the drama creation profile of Shi Tuo,the re-creation of " Grand Circus " and the research status of " Grand Circus ".The first chapter is creating a Dramatic Image in a Novel.When Shi Tuo,who is good at fiction creation,entered the field of drama creation,applied his successful experience of portraying characters in novel creation to the creation of "Grand Circus ",creating many distinctive characters.In this chapter,Firstly,the author introduces Shi Tuo’s creative turn from novel to drama in the special era of Shanghai’s fall.Secondly,it analyzes in detail the character shaping methods that Shi Tuo showed in the creation of " Grand Circus ","People first,things go with people" and "Multiple people and many things".The second chapter is construction of drama conflict Between the Beijing School and the Left.The construction of the drama conflict in " Grand Circus " fully demonstrates the unique creative style of Shi Tuo from the Beijing School and the Left.In the creation of " Grand Circus ",Shi Tuo attached importance to the social significance of the work.He absorbed the Left drama’s emphasis on the characteristics of class conflict,showing the social bourgeois oppression of the proletariat at the time and the collusion between the national government and the bourgeoisie,and the social status quo of the hardship of the people at the bottom.At the same time,Shi Tuo broke through the description of the class struggle formulated in the Left drama,instead of simply taking the main social contradictions as the main content of the drama conflict,but showing the big social conflict through the contradictory struggle of the small people and the character conflict between the relationship between the characters.In addition,the inner conflict that focuses on human nature in " Grand Circus " also shows the looming the Beijing School style.The third chapter is the unique art of dramatic language.First of all,Shi Tuo is the representative writer of "poetic novels".His novels have a strong poetic flavor.In the creation of " Grand Circus ",Shi Tuo continued this poetic flavor andmade the drama Language has the characteristics of poetry;Secondly,the dramatic language of " Grand Circus " has strong movement,which can not only show contradictions and conflicts in drama,but also promote the development of drama plots,and at the same time reveal the character characteristics of the characters in the conflicts;Finally,the dramatic language of " Grand Circus " is full of the beauty of life.Through the use of dialect and slang,the dramatic language is more lively and interesting,and has played an important role in shaping the image of the characters,expressing emotions,and active atmosphere.In the conclusion part,the author summarizes the achievements of Shi Tuo’s "Grand Circus " in the three aspects of drama image,drama conflict and drama language,and analyzes the reasons why " Grand Circus " can have long-term vitality.