A Study On The Collection And Quotation Of Tang Poetry In Sixty Kinds Of Songs

Tang poetry and Ming legend are two unique literary styles in the history of ancient Chinese literare,which represent the highest literary achievements of their times.Although they are far apart from each other and have different in the special literary form of “poetry collection”.Poetry collection and invitation refers to the collection of all poems and sentences from poetry.Sixty kinds of songs is an important Anthology of Nocturnes in Ming Dynasty,it is of typical significance for the study of poetry of Tang Dynasty in opera.The study of poetry of Tang Dynasty in sixty kinds of songs can not only discover the creation rules of opera itself,but also explore the influence of mutual infiltration between different styles.This paper intends to start from the poetry of Tang Dynasty in the next stage of sixty kinds of songs,and try to find out the reasons for its quotation of Kang poetry and the influence of Tang poetry on the work itself through the statiscs of its quotation.The first chapter starts from the origin of the portry of the collection of sentences,combs the definition of the development of the poetry of the collection of sentences,summarizes the characterististics of the development of the poetry of the collection of sentences,summarizes the characteristics of the development of the poetry of the collection of Tang Dynasty in the Ming Dynasty,and finally investigates the general situation of “the collection of Tang Dynasty”in the second chapter of the drama.The third part is about the function and limitation of the collection of sixty kinds of songs.First,it discusses the influence of the collection of sixty kinds of songs on the opera itself.Second,it discuss the influence of the collection of sixty kinds of songs on the whole opera development direction.Finally,it explores the positive situation of the collection of songs.The fourth chapter is about the influence of the collection of Tang on the opera.Starting from the general situation of the poetry circle,the relationship between literary styles,the rules of the creation of legends and operas,this paper explores the reasons for the poem “sixty kinds of songs”.For the mutual infiltration between the general situation of the poetry circle in the Ming Dynasty and the very popular literature,this paper will focus on the discussion,in part,summarize the conents of this paper,and point out the problems existing in the research.