Study Of The Calligraphy In Jin Dynasty

Look from the history of calligraphy, inherited from the liao and jin calligraphy of northern song dynasty calligraphy tradition. Ming Song lian proposed gold song dynasties "Sue learn is better than the north", this also for best illustrates Jin Chu calligraphy inherited the relationship. As "countries towards the bianconeri have" the rise of the middle tang wind prevails, this phenomenon is particularly obvious on steles, tzu chi stone, the ink on the end here is, however, Sue, m yuan dynasty calligrapher’s shadow. Comes as the rulers of the local stone said the emergence of more and more shoka focuses on stone BeiBan, found the book collection of official and private collection also became popular in the meantime. With fine taste Wang Tingjun, found the Zhang Rufang former text, combined classification into five hundred and fifty volumes. At the end of the gold bing-wen zhao and YuanHaoWen perked up book wind restoring ancient ways, "banner, and let us see the end of the jin yuan is different from other halma weather last dynasty.This article main body part into five chapters. The first chapter for the historical and cultural environment for the development of the jin calligraphy. From the court tradition of Chinese culture consciousness, and rulers of calligraphy and painting the perspective of the establishment of calligraphy on the growth of the soil. The second chapter for jin gold and early song dynasty calligraphy exchange. We from Jin Chu act of the han gentry shi jin, the culture background and calligraphy thoughts behind the peep. As calligraphy is follow Sue m more. Applied forms, because not when establishing Jin Chu court system, it works. The third chapter from still interest to mu tang. This chapter and the theory of middle main shoka, polling, Wang Tingjun, DangHuai Ying et al. And based on this paper made statistics of jin carved stone calligraphy determine the applied forms on c, imitation burring on(without a clear system of stone carving works) on imitating the Sue and conclusion. The fourth chapter to ideological trend restoring ancient ways and back in the wei and jin dynasty. Combined with bing-wen zhao confirmed and YuanHaoWen ink, stone inscription, "works as the phenomenon of existence of book wind restoring ancient ways. And theory of hao, YuanHao Wen book learning point of view, we can see the same and difference. The fifth chapter is getting of the calligraphy and painting collection. We can see the influence of calligraphy and painting collection of calligraphy.This article obtains from the jin social environment, this paper analyzes various periods ink, stone carving works of calligraphy phenomenon, combined with relevant Shu Lun segmentation study, in order to restore the original visage of jin calligraphy.