A Study Of Yan Fu's Calligraphy

Yan Fu was a famous thinker,translator and educationist in modern China,and he was also a great master in the field of translation and Sinology.As the art market has boomed in recent years,Yan Fu's calligraphy originals and manuscripts of his poems have been published,and his status as a calligrapher and poet has come to be known.Although Yan Fu was not famous as a calligrapher,his calligraphy was not in the same style as that of the Han and Jin dynasties,with the charm of the Tang and song dynasties,his style was of high rhyme,his style was elegant and dignified,elegant and clear,free and easy,elegant and subtle,and elegant and elegant,it shows that a generation of calligraphers pursue the self-confident and implicit style of traditional post-study books.Looking at the calligraphic writings handed down from generation to generation,such as Yan Fu's biography,translated works,letters,family letters and manuscripts,we can find that he worked very hard in calligraphy,mainly taking the calligraphy of Yan Zhenqing and Su Shi as the framework,the structure of his calligraphy as outward development,and the calligraphy of Wang Xizhi and Sun Guoting as the blood,the style is fluent and natural,gathering all the family's long instillation nutrients,always calm and calm,calm andelegant,a style of its own.In addition to Yan Fu's adherence to the style of calligraphy,his copy of calligraphy can not be fully organized by his copy of calligraphy,and only through further comparative analysis of his works and related materials can a more complete system of calligraphy study be obtained,yan Fu was in the late Qing Dynasty and the early Republic of China,and the theory of Steles was deeply rooted in people's hearts.As a successor of the theory of Steles,Yan Fu was also baptized by the theory of Steles,which can be seen in Yan Fu's works.Calligraphy can reveal the ideological and spiritual realm of the calligrapher.Yan Fu is a profound scholar with profound knowledge of the old and profound knowledge of the new,can calmly experience its "out of the old and out of the new" ideological state and state of mind.Yan Fu's calligraphy combines the physical style of the six dynasties,Tang,song,yuan,ming and Qing dynasties,and combines the strengths of each family with the inscription on a tablet.Although influenced by Western culture,Yan Fu's thought and culture always retained the temperament of modern traditional literati,and his view of calligraphy was formed through long and rigorous self-study,inheriting and developing the characteristics of calligraphy as a unity of practicality and artistry,he persisted in taking the ancient as a disciple,pursuing the calligraphy style of "Shang Pu" of the calligraphers of theQing Dynasty,and expressing the ideological realm of "New Zhou Gu" and "new from ancient times",it also has a positive influence on later calligraphy education and calligraphy creation.