A Study On Enframed Scenery Of Windows In The Qing Dynasty Feminine Paintings

Enframed scenery is generally described as a landscape-creating technique in gardening.However,through the analysis of relevant studies,it can be found that the enframed scenery is also a visual style featuring “the view according to the frame”,which is formed by the viewer's observation of the corresponding framed “objects”through a certain frame.The discussion on the enframed scenery of female-centered paintings in the Qing Dynasty is based on the association in terms of form features between the framing phenomenon in the construction field,especially in the traditional Chinese gardening,and the visual styles in related paintings.The framing style requires the support of certain frame media,of which the window frames are the representative examples,and the Qing Dynasty female-centered paintings in the form of window-frame scenery are characterized by a relatively continuous period distribution with certain numbers.These characteristics constitute the premise of the discussion on such works and their specific performance in terms of quantity and period distribution,to a certain extent,illustrates that the Qing Dynasty feminine paintings with enframed scenery do not exist in isolation.To explore the reasons for the formation of enframed scenery in paintings from the perspective of text narrative tradition,visual archetype,aesthetic orientation and cultural representation,it can be found that there is a corresponding cultural context and visual tradition behind these works.On the basis of the composition of the window-frame scenery,differences in gender construction can be found in paintings by the way of connecting the characteristics of the related images and space with the relevant literature.