On The Art Of Boneless Flower And Bird Painting Of Female Painters In Ming And Qing Dynasties

"Mogu Painting" is one of the traditional techniques in Chinese painting,Mogu painting is "flower and bird painting without pen and ink,pure color painting flowers." It is a special way of expression between freehand brushwork and meticulous writing.Throughout the Chinese painting exhibitions and comprehensive exhibitions in recent years,the excellent flower and bird painting works,We will find that there is an increasing number of bony flower and bird paintings or the use of bony techniques.To this end,we can see that in the current cultural context,Mogu flower and bird painting,or Mogu painting techniques,fits the aesthetic needs of the current society.In the contemporary art of mogu flower and bird painting,Female painters have a position that can not be ignored.But in the history of ancient Chinese painting,Female painters are often in a marginal position that is not valued.Before the Ming Dynasty,Only a handful of female painters are recorded in a few languages,And they rarely have their own independent identity,Often as some of the status of men’s wives and concubines,relatives and descendants are recorded.Until after the Ming and Qing dynasties,The number and identity of female painters only began to increase.And the establishment of mogu flower and bird painting began with Xu Chongsi in the Song Dynasty.Mature in the Ming Dynasty,To the Qing Dynasty Yun Shouping reached an unprecedented peak.Mogu flowers and birds painting style graceful elegant,In line with the aesthetic needs of women,So especially favored by female flower and bird painters.So in the Ming and Qing dynasties,A large number of female flower and bird painters have more or less applied mogu techniques to their own paintings.This paper is expounded through five chapters.The first chapter is the introduction,The second chapter mainly deals with the Ming and Qing dynasties.Female painters and mogu flower and bird painting these three keywords are discussed.Discuss and analyze the relationship between them.At the same time,the female bony flower andbird painters in Ming and Qing dynasties were divided into two groups.The third chapter mainly explains the evolution of mogu flower and bird painting by women in Ming and Qing dynasties.Mainly from the following aspects:the evolution and evolution of the thought,The improvement and change of techniques,The choice and renewal of the subject matter are discussed.The fourth chapter is mainly to objectively evaluate the significance,advantages and disadvantages of mogu flower and bird painting by female painters in Ming and Qing dynasties.The influence on the creation of mogu flower and bird painting by female painters at present.And combined with their own creative works and the third national art works of Chinese painting exhibition applied to the mogu techniques of flower and bird painting for analysis and demonstration.To improve their artistic standards in the creation of mogu flower and bird paintings,Make some efforts for the new situation of mogu flower and bird painting in contemporary Chinese painting.The main object of this paper is the mogu flower and bird painting art of female flower and bird painters in Ming and Qing dynasties.The art of mogu flower and bird painting by women in Ming and Qing dynasties,Is an indispensable part of the history of Chinese painting.It is also the most wonderful part in the history of ancient Chinese female painting based on silence.Although these achievements are only relative to female painting itself,It is difficult to exceed the influence of most male paintings in the same period.However,these female painters and their bony flower and bird painting art is still an objective existence that can not be ignored.It is of great significance to Chinese art and Chinese culture.It laid the foundation for the artistic creation of bony flower and bird painting by female painters.