The Change Of Display Mode Brings About The Change Of Landscape Painting

The composition of landscape painting is rooted in China's excellent traditional culture and art,and it has its own methods of observation,expression and display.Chinese philosophy,composed of Confucianism,Buddhism and Taoism,has formed a unique aesthetic view of our nation.Whether it is the unity of nature and man or the meditation of the mind,whether it is the source of the mind in the process of learning from nature or the journey of thousands of books or thousands of miles,whether it is the memory of the mind or the search for wisdom and creation,it all reflects the philosophical thoughts and aesthetic value orientation of the Chinese people,even the way of display is very different from western painting.Therefore,the art of Chinese landscape painting is extensive and profound.According to the different ways and USES of Chinese painting,it can be divided into public and private,fixed and mobile.Public paintings,such as murals and screens,face the public,are convenient for viewing and play a civilizing role in society.Private such as scrolls,hand scrolls,album pages,for the exchange of scholars to play.The former has the characteristic of public character,compare commonly fixed,the latter has the characteristic of illicit close sex to be able to carry.Painting content,style,form is often chosen according to different purposes,the public large painting heavy momentum,private in the small painting details.Large paintings need to be viewed from a distance and small ones need to be viewed from a distance.Modern mainstream museums,art galleries and galleries mainly display works in accordance with western aesthetic habits and ways.As public Spaces,museums and art galleries are not only places to display works,but also undertake the functions of research,education and promotion of artworks.Therefore,the works are hung on the wall or placed on the booth,convenient for the public to watch.In order to achieve the best visual effect,artists have studied the spatial relationship and made corresponding adjustments and changes in the size,composition,modeling,texture and effect of their works.Landscape painting art in the museum,art gallery later today,is faced with new challenges,the traditional form to communicate between works and audience,so we can see that many artists in carries on the beneficial attempt,the size of the work in a larger,becoming stronger visual impact,the new concept of new materials,new techniques being bold use.Mr.Li keran's works are also absorbing the elements of western painting,and his use of "light sense" is an example of this.Liu guosong's works draw on abstract painting and integrate western "hard edge art" into landscape painting.These changes can not be considered as a temporary accident,behind a certain depth.In a word,in the evolution of inheritance and innovation of modern landscape painting,there are changes in all aspects,among which the changes brought by the way of exhibition are the most intuitive.In my own creation,I think that should change with the new show changes in the way,to find adapt to the new display and excellent heritage landscape painting the kernel of the combining site,in snapshot of deep in my works,I try to use the look and feel of the larger picture to give the viewer more package,adopted in traditional landscape use less visually overlooking perspective,to incorporate vertical perspective peaceful perspective,build a dreamy effect.Black water is added to the technique to stimulate the viewer.The outline of the outside elements of the picture is simplified and geometric as far as possible to adapt to the way of viewing from a distance,presenting a clear picture to the viewer.The use of concentric circles and other design elements stimulates the viewer's senses.The combination of abstract image and concrete image in the picture is my new thinking and attempt to change the way of display.I think it is ok to change landscape painting according to the way of exhibition,but we should not completely copy other art forms,nor should we just stick to the tradition and not change,we should find a suitable intermediate point,in order to really broaden the development path of landscape painting.