Yanxia Taotie Pattern Tile Based On Semiotic Theory Research

The crepe pattern is an artistic symbol of a combination of bionic and reconstructed patterns.It is the most common decorative pattern in the Bronze Age of Shang and Zhou in China.It has abstract and exaggerated artistic features and mysterious and strange meanings,which makes the viewer feel a unique flaw.Limei.When the material carrier of the crepe pattern was changed from the Shang Zhou bronze to the Vatan in the Spring and Autumn Period and the Warring States Period,this is not only the re-enactment and reproduction of the pattern,nor the mere accident,but the inevitable development of the striated form.The birth of semiotics in Yanxia Duanhua is the result of many factors: first,historical reasons,Yan Guo and the ancestors of Shang Dynasty,there are many similarities in cultural customs,and the emotions and aesthetics of the people of Yan.Ideas have a guiding role.Secondly,due to geographical factors,the Yancheng Metropolis is in danger,and the Yanshan Mountains are relatively closed.Therefore,new ideas are not easy to be introduced,forming a unique Yan culture.Finally,it is the requirement of political rule,the respect and worship of nature,and we can clearly see that the bronze crepe is more vivid,natural things appear,and more frequent,for example,mountains and flowers.,the sun,the cirrus,the leaves,and so on.Based on the principle of graphic semiotics,this paper analyzes the historical origin,artistic features and artistic value of Yanxia Duanwadang from the perspective of semiotics.Based on this,this paper deeply understands the semiotic features and implications of Yanxia Duanwadang.The signifier and the system referred to.According to the social advocacy and ideology in the context,the paper analyzes the various semantics and characteristics of the times.The article first systematically introduces the basic concepts of symbols and semiotics and the origin and development of semiotics.On this basis,the research directions and specific methods of the Yanxia Duanhua Wadang are summarized,and the semantic rules of the symbols of the Yanxia Duanhuan are analyzed.The Yanxia Dudu pattern is continuously compared with the evidence of the Zhou Dynasty,and its external structure is combined with the internal structure to obtain new ideas and inspiration.In the metaphor and metonymy,the signifier and the two major categories,the semiotic conclusions are obtained.After a series of evolutions and developments,the crepe lines have formed the Yanxia Tudor pattern that we have seen.Its various types,full of social atmosphere and aesthetic life,is the unique charm of Yanxia Duanhua.It is worthwhile for us to constantly explore the profound semiotic value behind it in order to better inherit and develop.