Memory Reconstruction And Reflection On Human Nature In World War ? Documentaries

The year 2020 is the 75 th anniversary of the end of the Second World War.Though the smoke of war has gone,the cognition and the shaping of collective memory brought by the war are closely related to the social era,with the transition of human society from large-scale war to overall peace,the World War ? documentary also presents different significance and value.Based on the introduction of the different types of World War ? documentaries,this paper ponders on their value,function and development trend in different periods.In view of the different discourse systems in the postwar documentaries of defeated Germany and Japan,this paper explores the different political paths of the two countries in their treatment of war history and development.Finally,the author thinks that China's war documentary creation in peace time should present the overall pattern of multi-aspect and needs to be improved.At present,the various subjects and styles in the field of documentary show the trend of increasing diversification,and war has been a long-lasting subject in documentary creation.As an extreme political means and the highest form of conflict in the course of human society,war has run through almost the whole course of human history.The Second World War is of great concern because of its cruelty and its great influence on the development of the times and society.Due to the scarcity and scarcity of information on the spot during the war,people cherish and yearn for a peaceful and stable life,it makes the memory reconstruction of the war and the reflection of human nature become two important features of the World War ? documentary.The audience hopes that the documentary will be able to scattered images,words,pictures,monuments,oral history of the World War ? contained in the way of documentary,more vivid and intuitive transmission to them.But in today's increasingly diverse and complex culture,where official and personal memories are intertwined,there are many possibilities for how World War ? is told.The French philosopher Bernard Stiegler that "modern technology,represented by the filmindustry,is constructing the self-consciousness and world experience of modern man." The development of World War ii-themed documentaries from the initially uninteresting to the full-blown images of war,it has developed into the use of various artistic techniques,setting suspense,laying out details,multi-comparison,scene reproduction,CG animation and so on to make the narrative more comprehensive.The first chapter briefly discusses the World War ? documentaries made by different countries in different time periods.The second chapter focuses on the narrative style of World War ? documentaries in memory reconstruction,which is mainly embodied in the combination of oral narration and story-telling,the discussion of war ethics and the use of memory symbols.The third chapter focuses on the development and changes of the reconstruction of collective memory in the documentaries of World War ? by the allies of the United States,Soviet Union,Britain,France,China and Germany and Japan as axis powers.The fourth chapter mainly analyzes how the victors guided the audience to reflect on the humanity of the Second World War through the documentary of the Second World War,different reflections of the two peoples on World War ?.Finally,focus on finding the "other" perspective on the limitations brought about by the Second World War.The rich historical background has provided the massive and the powerful material support for the World War ? documentary creation,the various countries documentary film Creator must make good use of these materials,through each kind of technical means,in the performance of narrative content at the same time to guide people to reflect on the war,call for peace,so that the documentary to ideological,artistic and technical high-level unity.