The Writing Brush Draws Dispositions Vertically And Horizontally

Pu Hua(1832-1911)is the representative figure of the "Shanghai painting school" at the end of the Qing Dynasty,with multiple identities,painters,calligraphers and poets,who have the literati feelings of literati painters,but also see the secular tendency of professional painters.Throughout the history of calligraphy in the Qing Dynasty,the style of calligraphy is small,the great background of the rise of stele,Puhua in the integration of the monuments along the way,with its unique cursive features of the book world,to add a new way to the expansion of the postology,is in the world to take more french pavilions,seal script,Weibei another beautiful scenery,Puhua Cao calligraphy is no less unique than some professional calligraphers,can be proud of the book world,can say that its calligraphy achievements are not inferior to the achievements of painting,at the same time,Puhua calligraphy,charm painting in the wind god is consistent.The poet,as another literati of Puhua,embodies his literati's character and temperament.In some sense,poetic character is the portrayal of human nature.Because Puhua is naive,poor and down,his book,painting,poetry,its artistic speech and no description,more easily forgotten.Based on Puhua's chronology and materials,taking Puhua's cross tour and artistic creation career as the line,this paper combs his learning history,artistic idea,analyzing his calligraphy style and learning methods on the basis of relevant historical materials,and probes into the factors that influence the formation of his unique calligraphy appearance.At the same time,it discusses the connection of poetry,books and poems,the relationship between books and human beings,and probes into how the calligraphers into the connection from the relation of books and paintings,and the view of "books such as their people ".The re-examination of Puhua's case study can clarify its historical status,and the study of Puhua's artistic characteristics and style formation canprovide reference significance for modern and contemporary calligraphy,in which the study of calligraphy method of meaning provides a way to change from copying to creation;the artistic concept of "not thin people still love ancient people" treats the relationship between ancient times and present,post and monument,and also deeply influences its calligraphy view and practice in accordance with the practice.The comprehensive and systematic information research,appreciation and long-term practical interpretation of the study of their own calligraphy creation has a great significance,such as the love of ancient times and this kind of non-biased learning method;learning the importance of other people's learning methods,pay attention to the study of practical methods;the book should be from the atmosphere of the whole article,momentum,the overall layout of the intention;the characteristics of the Chinese calligraphy business,attracted me to the dynamic trend of calligraphy to take the hunting and vivid grasp of charm;the combination of stele,gold and stone into the brush,the rhythm of a wave of three fold absorption and the change of in the ink color;the art should be linked between the internal work,to pay attention to the book,outside the accomplishment and so on.