A Study Of Sima Chengzhen's Musical Aesthetic Thought In The Suqinzhuan

The Tang Dynasty was the peak of the development of Taoism and the era of the great development of Guqin art.From the perspective of the history of ideology,it was also an era of the high conflict and integration of the three religions of Confucianism,Buddhism and Taoism.As an important representative of Mao Shanzong,Sima Chengzhen was in the torrent of the times.His thought inevitably bears the brand of the times."Suqin Zhuan" as a concentrated expression of Sima Chengzhen's musical aesthetics not only basically covers the predecessors' theory of Guqin,but also shows the Sima Chengzhen's "Discuss Taioism with Chin" and the characteristics of the fusion of Confucian and Taoist music thoughts.Unfortunately,such a musical aesthetic literary theory has not yet attracted enough attention from academics,and there has not been much discussion,which leaves a huge space for the writing of this article.The interpretation and title analysis work of "Suqin Zhuan",an in-depth analysis of the music aesthetics of "Suqin Zhuan",and the interpretation of its important musical aesthetic value,can enrich the research of Taoist Guqin's theory in the Tang Dynasty to a certain extent,and prove the art of Guqin in the Tang Dynasty highly developed.This article first discusses the research intent,research methods,and research status of the article in the introduction,and starts with the word "Suqin" to solve the problem of "Suqin Zhuan" to reveal Sima Chengzhen's Great Musical aesthetics pursuit.The first chapter summarizes Sima Chengzhen 's thoughts on monasticism,highlights its integration characteristics,and briefly analyzes the prosperous reasons of Mao Shanzong,represented by Sima Chengyi,in the Tang Dynasty.Chapter Two focus on Confucianism,Taoism,Buddhism and Taoism in the early and the prosperous Tang Dynasty.The conflict and integration of religions are used as the background,and the policies of the Three Religions from Tang Gaozu to Tang Xuanzong.Take the distinction between YI-XIA,one of the focus of the Three Religions into Guqin,and the overall appearance of Guqin art that is still prosperous under the impact of western music is explored.A detailed analysis of Guqin's symbolize theory,Guqin's forbid theory,Guqin manufacturing theory,and Guqin's morality theory in "Suqin Zhuan",verifying the Confucian and Taoist fusion characteristics of Sima Chengzhen's music aesthetics,and using "Suqin Zhuan" as a time node.A horizontal and vertical investigation from the dimension of the history of musical aesthetic thought,highlighting the musical aesthetic value of "Suqin Zhuan".From the perspective of the history of musical aesthetic thought,this article researches the musical aesthetics of Sima Chengzhen's "Suqin Zhuan".Through the analysis of the connotation of the musical aesthetics of "Suqin Zhuan",I believe that it will be helpful to the understanding of the musical aesthetics of the Tang Dynasty.The degree reflects the state of Guqin studies and music aesthetics in the Tang Dynasty with a view to supplementing the missing parts of the history of Chinese music aesthetics.