Liszt's Thought Of Music Aesthetics In The Ken Of The Western Emotional Music Aesthetics

Aesthetics of Liszt research is a relatively large subject, the contents of the study involved few people at all times and all over the word. Not only because of the complexity of Liszt thought, but also because of the development lag of Aesthetics of music. This article is based on past research, a means of analyzing music work and history, according to progress of the western musical aesthetics, focusing on the aesthetics of emotion from the perspective of the modern comprehensive three-dimensional interpretation of Liszt's Musical Aesthetics. This paper, by the context of the Romanticism in art, be made a summary for the style of Liszt's music, and got some specialty as follows: extreme virtuosity, romantic poetry, religious introspection and artistic creation. And this paper thorough combing Liszt's idea rely on the nineteenth century in Europe the development of social forms, which obtained four characters as follows: contradictory ideas about music, religious, revolutionary and literary and other qualities. Thinking in music style and music, under the premise, and then summed up the core of Liszt's Musical Aesthetics involves a few words, that music its " thought is the soul, and technology is the skeleton"; being of music should be "Poetry and religious harmony "; music its" form of a container filled with emotional content "; musicians "serve the cause of the working class "; music "reveals" the emotional. This paper uses Twentieth Century Music Philosophy as a starting point, back Liszt's possible impact of aesthetics, and further to determine the Liszt's music aesthetics of its twentieth century as the language of music - sign in shaping the history of theoretical development "factor ".