Research On Li Hangyu's Literature Creation

The root-seeking trend of thought in the mid-1980 s is an important literary trend in the history of contemporary Chinese literature.About 30 years ago,many scholars have reviewed and interpreted from various aspects,but this cultural treasure still has many The place of mining.Due to the complexity and richness of the root-seeking trend itself,it is an effective method to start from the specific writer's creation if you want to truly enter the literary scene of the 1980 s.Li Hangyu's creation runs through the root-seeking trend.On the one hand,like most root-seeking writers,he is also an educated youth.On the other hand,he is also one of the earliest advocates of the root-seeking slogan.His "The Last Fisherman" Not only did he become a well-known writer,but the latter also earned him the national short story award,and since then these two works,which were appreciated by mainstream literary circles at that time,have turned into the second masterpiece of rootseeking literature.And around 1988,Li Hangyu gradually abandoned his "Ge Chuanjiang" literary world and began to shift from root-seeking.This was not only a shift in interest,but also a struggle after his root-seeking literature creation encountered difficulties.Therefore,this paper mainly focuses on Li Hangyu's creations from the late 70 s to the late 1980 s,which is regarded as a perspective of the development process of seeking roots through the interpretation of his creative journey.In addition,this article also uses a comparative analysis method,taking Li Hangyu's "Ge Chuanjiang" world and Wang Zengqi's works as examples,in the comparison,the differences between the rootseeking novels and the custom culture novels are roughly cleared.It also uses a separate chapter to interpret the the modern aesthetic of Li Hangyu's root-seeking novels.