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A Study Of He Nan Yu Opera Reform From The Perspective Of Political Identity(1949-1965)

Posted on:2021-03-21Degree:MasterType:Thesis
Country:ChinaCandidate:M J CaoFull Text:PDF
GTID:2415330620468515Subject:Political Theory
Abstract/Summary:PDF Full Text Request
Political identity is an important subject in the study of political theory.The definition of the political identification is that,the social individuals' recognition of the political community and its lines,guidelines and policies,and to be able to regulate its own political behavior in accordance with the requirements of the political community.For political parties,Public recognition and support is the foundation and premise of the regime's stability.In the early days of the founding of the People 's Republic of China,the Communist Party of China changed from a revolutionary party to a ruling party,During this period,due to various factors,building the public's political identity with the Communist Party was the primary task of the Communist Party at that time.As a kind of folk art that is rooted in the society and loved by the people,opera itself has an educational function.Therefore,the reform of traditional opera is undoubtedly the most suitable means to transform the people's old ideas,publicize new social values,and then construct their identity to the country and political parties.The reform of traditional opera includes three measures: reform of people,system and drama.In terms of "changing people",it is mainly to re-educate opera artists,learn Marxist ideas,improve the lives of artists,and increase their social status and ownership consciousness.In terms of "restructuring",we mainly reformed the system of the old opera troupe,and turned the private theater troupe into a state-run theater troupe,so as to incorporate it into the national management system.In the area of "drama remodeling",it is mainly through adapting the drama repertoire to promote the social values in line with the mainstream of the new era.Through this drama reform movement,the state has incorporated folk artists and troupes into management control to achieve the purpose of maintaining the legitimacy of the new regime.This thesis is from a national and government perspective,Through the analysis of the reform process of the Yu Opera,it explores the logical connotation of the political identity construction contained in it,with a view to enlighten the reconstruction of contemporary social political identity.This article consists of five chapters.The first chapter introduces the basic concepts of political identity.The second chapter introduces the political background of the He Nan Opera reform.The third chapter mainly introduces the measures that reflect the construction of political identity in He Nan opera reform.The fourth chapter focuses on the effect of He Nan Opera reform on the construction of public political identity.The last chapter outlines the inspiration of He Nan opera reform to the reconstruction of contemporary political identity?There are four main points:Attach importance to the influence of emotional factors in the construction of political identity,the development of the political enlightenment function of folk art,the "grounding spirit" of political identity construction means,and the use of the party's core role in political identity construction.
Keywords/Search Tags:political identity, Chinese opera, The Chinese Communist Party, He Nan Opera
PDF Full Text Request
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