The Sao Fu In The Early Ming Dynasty

As a special form of Fuliterature,Sao Style Fu use Fu as the name of works and the unique style of sentence pattern which is composed of XI-character sentences.In the early Ming Dynasty,besides continuing the traditional theme of Sao Fu,the theme of Sao Fu was enriched by animal,plant,room,painting and calligraphy.In the creation,Chu Sao is the object of study and imitation,inheriting Chu Sao's Lyric sentence structure,and following Chu Sao's classical imagery and the way of expression of romance and mystery.At the same time,some new changes have taken place,which expand the lyric space of Sao-style Fu by peaceful and rational emotional expression,and show the strong artistic vitality and artistic value of Sao-style literature.However,these changes brought new opportunities for the development of Sao Ti Fu,but also led to the dissolution of the lyricism of Sao Ti Fu in the background of the fate of cabinet,and ultimately led to the decline of Sao Ti Fu from Yongle to Chenghua.In the early Ming Dynasty,Sao Style Fu inherited the rest of the Yuan Dynasty's ancestors,and the beginning of the revival movement in the middle and late Ming Dynasty.It was at the turning point of prosperity and decline in the whole development of Sao Style literature,and had a unique significance in literary history.