The Study On Mazu Painting

Mazu culture is rooted in China for a thousand years,and there are too many forms of expression of Mazu culture.Among these manifestations,Mazu's paintings are influenced by many factors and have undergone a long process of evolution.Although the literature on Mazu in the theoretical database is endless,many scholars tend to analyze and study Mazu culture from the perspectives of folklore and literature.So far,the research on Mazu painting is not comprehensive enough and deep,especially about Mazu painting.The articles of artistic language are still very little focused.On the basis of previous studies,the author made a brief introduction to the relevant expressions of Mazu in the past,and selected typical paintings related to Mazu in history as the key research objects.In this thesis,from the perspective of art,the author makes a more detailed analysis and summary of the artistic language of these paintings,including lines,colors,costumes and objects,and further explores the cultural significance behind these painting images..The details are as follows:The introductory part of the thesis explains the author's motives,the meaning of the topic,the research status,research methods and ideas.In this part,the reader will see the author's objective research status related to Mazu,which is combined with many related literatures.This part helps the reader to clarify the status quo and provide guidance for the next reading.The first chapter is three parts.The first part is a detailed introduction to the life story of Mazu,including the life experience of Mazu,the title of the seal,the reason and basic context of the development of the belief.The second part tries to do the expressions,themes and techniques related to Mazu in the past dynasties.A brief introduction,and then take up a small section to make a description of the scope of this paper,aiming to prescribe the specific structure of the next paper,and establish a clear and direct research object.The second chapter is the author's investigation of the image presented in Mazu's paintings.This part should be interesting.Under the influence of different political backgrounds,social atmospheres and aesthetic tastes,each dynasty should have culturalproducts belonging to their contemporaries.This is inevitable.Mazu painting is the physical manifestation of the aesthetic concepts of the past.Therefore,dissecting the image of Mazu in each painting is an important part of the thesis.According to certain subjective judgments,the advice and guidance of the tutor is given,and the ancient books are used to make the whole paper true and objective.An investigation of Mazu's image is to help the author to strengthen the feelings and thoughts of Mazu's divinity and humanity,and also to provide readers with further understanding and understanding of Mazu.The third chapter is based on the second chapter.The author needs to classify the collected materials and select the research objects according to the direction of the paper.This part is also an important part of the paper.In this chapter,the content to be studied is more nuanced,including analysis of lines,colors,objects,and costumes,in order to be able to draw a systematic summary of the artistic language of the paintings described in this paper.The fourth chapter is the last chapter of the thesis.It is also the deeper content of Mazu painting from the table and the inside and the gradual excavation.It is to explore the cultural connotation behind Mazu painting.The fourth chapter is divided into three sections.The first section is the political missionary function embodied in Mazu's paintings.This part aims to study how the rulers of the past and the Mazu beliefs [this part is to be combined with the title of the fourth chapter.The relationship between the relationship and the ruler's use of Mazu's paintings in order to achieve political results.The second part is the humanistic connotation reflected in Mazu's paintings.The author tries to find out how Mazu painting works on different classes of people,Mazu beliefs and paintings of various eras.The specific spiritual strength and Mazu painting reflect how pure and simple folk customs and emotions.The third part is the ethical concept of honor and honour reflected in Mazu painting.This part is based on the study of some of the symbolic objects of Mazu's paintings.It combines the ancient and modern literatures to dig out the concept of honor and esteem reflected by Mazu.