On Hong Kong Martial Arts Films On The Context Of Chivalrous Culture

In the middle of the 20 th century,the Hong Kong Swordsman film,representing the highest achievement of the Chinese martial arts film,has made the martial arts film one of the most successful commercial film types in China,and also made the martial arts film out of the national gate and moved to the world.Since the first Hong Kong Swordsman film in the1930 s,the first time since the birth of the Red Lotus Temple in Hong Kong,there have been thousands of works in the past eighty-ten years.Whether it is the "Huang Feihong" movie of the Confucian benevolence,or the color of the vendetta,or the current movie of the joint venture of Hong Kong and Lu,each is the result of the fusion of the modern film art and the traditional Chinese chivalrous culture.In the past 70 years,the political,economic,cultural and psychological factors of the Hong Kong society have changed,and the difference of the film authorundefineds understanding of the Xiaundefineds culture in different periods has a certain degree of influence on the characteristics of the martial arts film in different times.The relationship between Hong Kongundefineds martial arts film and the man-to-man culture,and the relationship between the change of the times and the times,are the key points to be paid attention to.The development of Hong Kongundefineds martial arts film in the culture background can be divided into five stages.The first stage is the "Huang Feihong" film series directed by Hu Peng from the 1940 s to the 1950 undefineds,and this stage is the national gas festival and the self-righteousness and the very effective.The second stage is the middle of the 1960 undefineds to the mid-1970 s,with the focus on the fast-minded,the chivalrous,the Shaoundefineds color Wuxia century,the representative of Zhang,Hu Jinrong,Bruce Lee,etc.,this stage is the high tide of the Hong Kong national language martial arts film;The third stage,from the mid-1970 s to the 90 undefineds,was mainly composed of the humorous comedy of the dragon and Yuan and the comedy of the martial-man film,the civilian hero was in the hearts of the hearts of the people,and the fourth stage was the new martial arts film of Xu Ke in the early 1990 undefined s.In the middle of the 1990 s,Hong Kongundefineds martial-man film,despite the support of the mainland,threw a new spirit of creation,despite the support of the mainland.The factors that closely fit the values of the times,the culture attitude of Wu and the Xia,and so on make it prosperous,and the profound connotation of the Xiaundefineds culture and the Xiaundefineds spirit is ignored in the pursuit of the visual effect,so that the low tide period of the decline is entered.The culture of Hong Kongundefineds martial arts film is deeply rooted in the traditional Chinese martial arts culture.The source and the source of the spirit of the chivalrous culture are the spirit of the Chinese nation and the worship of the sword,respectively,and the Chinese traditional manundefineds cultural and artistic presentation is the unique value of the Hong Kong martial arts film,the aesthetic view and the nutritional source of the narrative mode.The film of Hong Kongundefineds martial arts is also presented through the modern art,which will spread and carry forward the culture of the martial arts.The author of Hong Kongundefineds martial arts film has drawn the nutrition of Confucianism and Buddhism of Chinese traditional culture,combined with the cultural trend of the times,and created a kind of image such as the spirit of sacrifice,the spirit of sacrifice,and the spirit of personal will.The relationship between the characteristics and changes of Hong Kongundefineds martial arts film is reflected in the influence of the cultural and psychological factors of the Hong Kong society.The value of the chivalrous spirit exhibited by the Hong Kong martial arts film,the modern transformation of the Xiaundefineds spirit has a profound influence on the audience group,and the active martial arts spirit has a positive guiding value to the modern society.The Wulin culture is the most important development factor in the future of Hong Kongundefineds martial arts film,and the revival of Hong Kongundefineds martial arts film is of great significance to the Chinese traditional Chinese culture and the Chinese film.Hong Kongundefineds martial arts films should be diversified and innovative in the types of elements,and the values should be developed with the combination of the times,and the inheritance and innovation of the chivalrous culture can only be reproduced in the past.