The Research Of Wang Yucheng's Literaries And Culture Personality

Among the literary works of Wang Yu Cheng's Confucianism is the background color,and "Tao" is the core of the thought.The appeals and values of his literary works are based on the three stages and nodes of "Mingdao","Hongdao" and "Shoudao",which highlights Wang Yu Cheng's literary thoughts.Personality and profound Confucianism.Based on the literary works created by Wang Yu Cheng's and combining with the historical background of the early Northern Song Dynasty and Wang Yu Cheng's personal experience,this thesis deeply explores and explores the literary spirit and cultural personality behind Wang Yu Cheng's literary works.The first chapter and the second chapter mainly discuss the types and creative methods of Wang Yu Cheng's literary works.In general,the literary theories of poetry,prose,and literary genre are summarized and summarized.Wang Yu Cheng's inherits Han Yu and Liu Zongyuan's literary theory to transcend on this basis,and breaks through the literary creation skills and ideas of using poetry as the poem and literature as the fuss.In the creation,it reflects the pioneering and innovative reform spirit of Wang Yu Cheng's literary works and the determination and courage to reinvigorate the Northern Song Dynasty literary world to correct the defects of the Northern Song Dynasty.The third chapter analyzes and summarizes Wang Yu Cheng's literary spirit,and summarizes the five literary spirits such as the spirit of record,the spirit of reform and innovation,the independence of subject consciousness,the rational attitude of objective dialectic and the romantic and rich literary feelings.These literary spirits all reflect Wang Yu Cheng's literary thought with Confucianism as the core and Buddhism and Taoism as the reconciliation.He takes Confucianism as the foundation,and uses the thoughts and spirits of Buddhism as the sustenance of the inner debugging.He has carried out more breakthrough literary creations,and these five literary spirits are the concentrated expression of his literary thoughts.The fourth chapter takes "Tao" as the core and analyzes Wang Yu Cheng's moral personality and aesthetic personality.Wang Yu Cheng's moral personality with Confucianism "Tao" as the core reflects his family's feelings during his political period.The author summarizes it into four key words: actual,empathy,and breakthrough.It highlights the influence of Wang Yu Cheng's in the deep influence of Confucianism and the pursuit of the desire to break through,which is more reflective characteristics and historical rationality than the writers of the same period.After Wang Yu Cheng's was in the aftermath,the aesthetic personality occupied a dominant position.It is more prominent in the literary creation,which makes him transcend the political category and achieve a more idealized realm of literary creation.In the end,his aesthetic personality and moral personality have achieved a dynamic balance in the process of change,conflict and progress of Wang Yu Cheng's life experience,and finally formed his relatively perfect personality structure.