| Yinqiang is the cell of Chinese traditional music,it can not be divided.But due to the influence of westerm music theory by such long time,we are accustomed to “unify” Yinqiang by the twelve-tone equal temperament.Nowadays,more and more composers try to use such traditional phrases to describe Chinese contemporary music.How could our player know it well and make a correct expression? In this thesis,it summarizes the develepment of Yinqiang in Chinese contemporary Zheng music and describe the new intention of Yinqiang.Connect with practical performance,try to find the inspiration that Yinqiang give to the performance. |
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