| PUZHOU umbrella Yangge,the shining pearl of the folk art,is still keeping its vitality and exerting its artistic charm in the continuous art selection driven by the time giant wheel,the reason is that the author puts her eyes on the most important part of Puzhou Yangko ——The stage of "flower umbrella".This article will puzhou umbrella yangge props "hua-umbrella" as the object of study,only from the name of this folk art form,we can already see the important role of umbrella props in PUZHOU umbrella Yangge,therefore,this paper makes a more comprehensive,in-depth and accurate analysis of the props of "Huasan" in four chapters,and through the exploration of the development of the artistic form of Puzhou Yangge,refines and compiles systematic and standardized practical teaching materials,while making it possible for the folk art to go to the stage,it also enriches and enhances the artistic function of the "flower umbrella" props,enabling the "flower umbrella" props to gradually transform from a simple object into a part of the body,so that it goes beyond the limitations of the props themselves,and gradually become a symbol of art,to provide more concrete expression.By exploring the cultural connotation of the symbolic meaning of "hua-umbrella",filling the gap in the theoretical study of Puzhou umbrella Yangge,and aiming at the development problems of PUZHOU umbrella yangge discovered in the course of field investigation and research,put forward positive development proposals.In the first chapter,based on the props of "hua-umbrella",starting from the origin of the name "hua-umbrella",the author combs the development course of "hua-umbrella" in the continuous changes of history,this paper analyzes the cultural background of the civilization of the three Jin dynasties under the nourishment of the Yellow River valley and the Some Random Place Somewhere,and makes clear the uniqueness of the props of the flower umbrella through the Comparative Study.In the second chapter,starting fromthe artistic form of the body of PUZHOU umbrella Yangge,the author combs the evolution of the folk art form of Puzhou umbrella Yangge,and combines the methods of composition and composition of the teaching combination of folk dance,by means of combining words with images,this paper describes in detail the holding method,basic dancing method and the development of the form of the flower umbrella,and forms a systematic and scientific practical teaching combination,the paper explores the three artistic functions of "hua-umbrella" in the artistic performance form of Puzhou Yangge,which are modeling painting,symbolizing and promoting empathy.In the third chapter,starting from the object itself,taking the historical process as the time axis,the symbolic meaning of the umbrella in each historical period is sorted out,which is also the prerequisite for the analysis of the cultural connotation of the "flower umbrella",combined with the cultural and social environment,geographical environment and folk-custom features in the south of Shanxi Province,this paper analyzes the cultural connotation of "hua-umbrella",which is mainly embodied in three aspects: aesthetic cultural connotation,regional psychological embodiment and folk-custom cultural inheritance.The Fourth Chapter Combs the Development Problems of puzhou umbrella yangge discovered in the course of field investigation and research,and puts forward some suggestions to these problems.Through research and analysis,it is hoped that puzhou umbrella Yangge,an excellent folk art heritage,can maintain its long-term artistic vitality,continuously spread its artistic charm,and carry forward the excellent traditional folk culture. |
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