The Exploration Of "Virtual Reality" Of Chinese Image Oil Painting From The Perspective Of Integration Of Chinese And Western

Chinese image oil painting is a re innovation under the combination of Western painting spirit and Chinese traditional painting spirit.It is also a combination of Chinese traditional cultural spirit and natural aesthetic consciousness into oil painting creation.It is the combination and collision of Chinese and Western art forms that forms a unique freehand expression in image oil painting to "observe" Western oil painting art with Chinese traditional freehand spirit Da.While exploring Chinese image oil painting,this paper also finds that the treatment of "virtual and real" in the works plays an important role in the Chinese and Western painting art,which is an eternal topic in the study of painting.In both traditional painting and modern painting,the combination of virtual reality and degree of virtual reality are common means of expression in Chinese and Western painting.The hazy beauty of "virtual reality" is an important means to create imagination.The relationship between the virtual and the real has always been a content that the author tries to explore in his painting creation.In order to deal with the relationship between the real and the virtual in the picture,we must work hard at the same time in the use of pen,color,composition and other aspects,to truly see the real in the virtual and see the virtual in the real.Only in this way can imaginative works be created,and only by properly handling the relationship between the real and the virtual can the picture be full of vitality and spirituality.Through the analysis of the representative cases of Chinese and western traditional painting and modern painting,as well as the differences of the characteristics of the virtual and real expression in Chinese and Western painting,and through the construction of "virtual and real" and other languages in the creation of artists,we can experience the spiritual connotation and the emotional world of Chinese and Western artists in the visual behind the painting schema language.On the premise of the two aesthetic systems of China and the west,it needs the joint efforts of domestic artists to make the oil painting better integrate and innovate on the basis of the national culture,and have the local characteristics rather than just imitating the western painting form.To probe into the aesthetic function and orientation of "virtual and real" in Chinese image oil painting is one of the problems that the author pays close attention to the development of Chinese image oil painting,and also the purpose that the author intends to promote the image oil painting.At the same time,through the exploration of the application of "emptiness" and "emptiness" in the traditional and modern painting language of China and the west,it will help the author to improve his personal vision and make proper use of it in the future creation.