Research On The Problems Of The Transformation Of Contemporary Chinese Ink Painting Art

The 1980 s witnessed a great period of transition in Chinese ink painting.Since then,ink painting,as a hallmark of traditional Chinese symbols,has gradually entered modern times and begun to adapt to the aesthetic tastes of people in this times.This thesis explores ink painting art marked by the "Oriental Symbol" from the experience of Gu Wenda,Ren Jian,Yu Zhang and other artists,the spirit of Chinese art philosophy as the motive force,and the alienation and integration of ink painting art in such exploration process.Through these attempts,the author is to discuss the deconstruction and reconstruction of Chinese ink painting from traditional to modern experiments in the 1980 s.Through an objective analysis of the evolution of Chinese ink painting,more possible choices will be added to the experiments of contemporary ink painting art creation.The author also discusses how to explore the benign direction of the continuous development of Chinese contemporary ink painting on the basis of adhering to the cultural brand with Chinese characteristics in combination with her own creations.