Starting From Gu Wenda Ink Experiments To Explore How To Enter The Contemporary Context

In the1980s, the1990s, around two issues Chinese contemporary experimentalink launched a fierce debate: contemporary issues and nationality issues, and inkindustry, there are two views about the stalemate, faction advocated “stick to thetraditional “another faction considered “traditional dead “advocates“Westernization“,85-year spark let these two views clash more intense. Adhereto the ancient tradition of ink artists generally considered interesting is theChinese traditional ink painting last bottom line,“ink“is evolved throughthousands of years of history can best embody the aesthetic essence of ancientChinese wisdom, if there is no ink, the traditional essence would be gone, the twocould not quell the controversy, leading to the slow development of contemporaryink painting, in order to further explore the experimental ink go in, where is thebest direction, the author of representatives from the experimental ink Gu Wendastart, a simple combination of style analysis, and social analysis analyze thecreative experience, combined with international art form for contemporaryexperimental ink to find a feasible way in the rapid development of the market economyenvironment.Some critics say, not without irony, Chinese contemporary art history is rootedin the context of post-colonialism, and Gu Wenda ink as an immigrant artists, criticsanalysis also many from his dual cultural identity, as well as After startingcolonial context of contemporary art, and the “ink“is Wenda Gu had sustainedcreation, and the creation of the most in-depth category of art can be said thatthe creation of Gu Wenda theoretical background and the core of art historybackground. The author aims to cut through ink art, research Gu Wenda’s creativeexperience, and then for most of the confused state of the ink rookie point the way.Gu Wenda careful analysis of the works can be seen, the long-term accumulation ofink brings to his work as a cultural heritage. It can be said Health Department ofthe Western world Gu Wenda are always concerned about the development of orientalart, and his accumulation of body ink art heritage is also promoting his directiontowards further development. In this paper, from his initial idea to theanti-traditional tradition “return“, how to make comparative analysis between theexperimental ink better integrate contemporary context.