Research On The Scene Of The Public Images

Surrounded by countless visual images,the public scans numerous images from realities to the virtual world.Since W.J.T.Mitchell's iconology turn,discussions on the shift from linguistics to iconology have been aroused.The Pritzker Architecture Prize winner Gottfried B?hm also proposed discussing “Pictorial Turn”.On the basis of the same concept,Mitchell and Gottfried B?hm had distant communications,but such talks under the new techniques conceal more than the new discovery of images.With the development of electronic media and digital technologies,the public can participate in the communication and production of images at all times and places,and public society turns out to be a “pictorial scene”accordingly.In the era of the intelligence,due to the close ties between cell phones and man and ubiquitous fragmented information,more powerful images are needed during visual communication to draw mass attention.Since the Second Industrial Revolution,advancing technologies and requirements of the public plus interestingness,uncertainty and diversity of images become the prominent manifestation of contemporary visual culture.Never have we witnessed such an age of new media we live where intensive multifarious images are inundated in the public life,whether from commercial advertising or the circle of friends of the internet social software WeChat.This thesis,on the basis of the research on the scene of the public images,major research methods such as literature review,deduction and induction,and the discipline-crossing method are used.Literature documents have been gathered and then combined with theoretical research,and the author's perspectives have been added herein for analysis and deduction.With all this done,the author finally goes back to the theory,concluding the law of the scene occurring in the public images,so as to propose some effective measures for practice and novel ideas for the generation of images.The approach to gathering information mainly includes finding books,practicing offline,exploring information online,exchanging ideas,etc.In this way,the solid foundation is laid for further investigation.This thesis is involved with iconology,semiology,communication sciences and popular psychology.It is safe to say that the investigation of the scene is a great leap forward in thatof the image.Thus,through this analysis,the author is to advance an innovative and unique angle for future research on the scene of images by offering a basis for conclusion and theory for reference.Under the age with fragmented information,the thesis aims to meaningful images with immediacy of occurrence and vitality in a creative mechanism.Chapter Two is to explore and discuss and define public images,elaborate the relationships between the public and images as well as culture and images,and draw an initial conclusion and summary on the characteristics of public images.Chapter Three analyzes and summarizes the distinctions of the ideas of the scene.Chapter Four is probes into the law of the scene.Chapter Five is to predict the possibilities of the public images scene emerging at present and in the future,so as to offer a new vision and perspective for both designers and artists to meditate such issues.