A Preliminary Study On The Transformation Of Ink And Brush Language In Modern And Contemporary Ink And Wash Figure Painting

Over the past 100 years,under the influence of western art and concepts,Chinese painting has developed rapidly,and ink figure painting has a new language and spirit to convey ideas and feelings.As a result,there are some excellent artists whose expression methods and ideas in creation are influenced by western modern and contemporary art,and they integrate their own unique ink painting characteristics on the basis of tradition,and then make continuous innovation and breakthrough,and create new excellent works in line with the current era.This paper focuses on the changing times of the ink painting language of "Xu Jiang system",from the following aspects: first,the change of the historical background and social style;Second,the change of aesthetic concept;The third is the change of the characteristics of form and language;The fourth is to make a case study of the representative Chinese ink painters in this range.Finally,combined with their own to talk about,hope that through study these phenomena,and case,to clear comb the development context,"Xu Jiang system" from the affected by the western ideological trend and the emergence of the batch of ink figure painters began to research,to now bold innovation breakthrough new ink figure painters,discusses their pen and ink language change and found the problem.This will inspire us in our future study and creation of figure painting in ink painting,how to maintain national characteristics without being divorced from the development of the current era,that is,to maintain the unity of tradition and modernity.