On The Relationship Between Black,White And Gray In The Ink Method Of Gong Xian's Landscape Paintings

The performance of traditional Chinese landscape painting is mainly based on the outline of the picture and the ink color staining.Unlike the western landscape painting,which is mainly based on the contrast between the light and dark of the picture and the color relationship creation to reproduce the objective object in front of the eyes,the traditional Chinese landscape painting first focuses on The context of the quality of the pen and ink in the painting is more focused on the relationship between the individual and nature in terms of artistic thinking.It does not focus on the detailed description of objective objects as the primary purpose,but uses the two types of point-type and line-type methods to express it.Based on this,and based on this,other methods have evolved to serve individual artistic creation.In the practice of painting in the middle to mature period of Gong Xian,we saw that the artist subjectively emphasized the black,white,and gray gradation of the ink in the picture through the method of accumulating ink,which weakened the changes in the line outline and the method expression in the picture to create the picture Visually strong sense of layering and overallness.And the exploration of this expression of black and white,gray,and black color changes through the accumulation of ink is still a strong inspiration and learning significance for our personal painting practice.