Study On Mood Quiet Ink Hua Zi Gong Xian Landscape Painting, Modernconsciousness

Ming qing dynasty Chinese painting, especially the landscape paintings, is advocating the ancients, recovery and yuan for the mainstream. Due to foreign invasion of the central plains in qing dynasty, the han nationality culture. Among them, the part of the descendants of official of Ming dynasty and now mountain seclusion, men of letters in the form of literature and art express dissatisfaction with foreign rule. Another part of the literati painters to choose his own effectiveness in court, the authority of their status was not shake.Gong Xian, the life in the late Ming dynasty, the giants of the art of is unique painter at that time. He didn’t go to match the blindly imitate the ancients, the lack of natural breath "antique painting". On the contrary, he retired in mountains, in the decades he study ancient and not modeled, on the basis of learning the song and yuan painter more enriched in ink technique, his use of JiMo method inherited the essence of the ancients, formed its own unique painting language. This kind of symbolic art expression language is also an expression of the "programming" language in Chinese landscape painting. He depicted mostly geomorphic characteristics of jinling area, south of water vapor and gully his major is the subject of the topographical features, and on the Gong Xian images is developed to get incisively and vividly. Gong Xian landscape painting especially on JiMo method is applied, the future role in the history of Chinese painting, he not only to fully the previous ink technique study and summary, and on the later artists, especially the modern landscape painter has important influence.This article mainly from the Gong Xian painting techniques, the painting art language and the expression of special artistic conception to interpret Gong Xian landscape painter in the painting history of the late-ming and early-qing dynasties plays an important role. And from the Angle of "art semiotics", to try to unscramble Gong Xian in the painting of "modern beauty" on the impact of modern painters.