Research On The Development Potential Of SUMO Language Based On The Change Of Aesthetic Concept

Since the May 4th movement,western culture has had a huge impact on Chinese traditional culture,and cultural ideology has changed.The development of modern art has an impact on the contemporary transformation of Chinese painting.At the same time,Chinese painting is gradually returning to the traditional trend of cultural spirit.Based on this background,this paper studies the influence of the change of aesthetic concept on SUMO language.Looking for the changes from the outside to the inside in painting and calligraphy with the changes of aesthetic thought as the starting point of the exploration of ink language.Along the time sequence,from the influence of the aesthetic concept of classical art on SUMO to the change of modern aesthetic concept,the development of SUMO language is promoted.In the process of discussion,the author analyzes the works of SUMO in different times and the exploration of personal sumo language practice,compares the changes of ancient and modern aesthetic concepts,and combs out the internal logic of the development of SUMO language art.From the language of sumo,which has been discovered in the traditional art for thousands of years,to the present time,it has its own unique aesthetic features,such as nationality,simplicity,visual and perceptual beauty,as well as the interest of trace.In the classical art,the trend of literati painting is unique in aesthetic.From the aesthetic thought of "having the same beauty with nature" in Sui and Tang Dynasties to the aesthetic thought of "chatting and writing Yiqi" in Yuan Dynasty to the aesthetic thought of "one painting" in Qing Dynasty,the theoretical research focuses on the aesthetic object of fresh ink.Influenced by the literati painting,literati and scholars reject the dirty and stagnant persistent ink.But at the same time,some painters use it unconsciously and a small number of people must lay the foundation for the development of SUMO ink.In modern art,with the introduction of Western learning to the East,the traditional ideas were impacted by the western modernism,and the aesthetic concepts were changed.Chinese painting is no longer the traditional style and ink aesthetic,visual effect is valued.Taking Huang Binhong's study of SUMO as an example,integrating the Chinese and Western cultures,the traditional method of SUMO was excavated and developed to a peak.In the practice of self art,how to deal with the traditional ink art and how to break through the predicament of the times are the first issues to be considered.Only by understanding the development trend of the macro aesthetic concept can we advance forward,and by combing the influence of aesthetic concept transformation on the sumo ink language,we can guide the exploration of the ink language.In the creation of ink works,the special visual beauty of SUMO ink language is involved in the living state of modern people.The trend of aesthetic diversification,sumo language in line with the modern aesthetic,unique aesthetic value,the combination of SUMO language and modern urban living experience,there is a lot of room for development in Chinese painting.