The Courtyard Combination Study Of MingQi From Han Dynasty Tomb

Chinese traditional architecture has a strong artistic appeal from its special wooden structure and its unique architectural complex,making it unique in the world's architecture system.The courtyard,as the basic unit of Chinese architecture complex,has been fully developed in the Han Dynasty.The courtyard not only endows a single building of vague use function with a clear ideological content,but also lays the foundation for the development of the typical traditional Chinese courtyard house familiar as ‘Siheyuan' nowadays.The study on traditional architecture of Han Dynasty faces some difficulties because the ground buildings of Han Dynasty barely exit.Only the Eastern Han Dynasty residential relics in the western suburb of Luoyang,Henan Province,the Western Han Dynasty Sandaoyu Village site,Liaoyang,Liaoning Province and the Sanyangzhuang compound architecture sites of Han Dynasty,Neihuang,Henan Province still have the remains of the Han Dynasty courtyard.This paper mainly focuses on the research of courtyard combination form in spirit utensils(mingqi)of Han Dynasty,and also studies on the courtyard combination form in Brick-stone portraits of Han Dynasty as auxiliary reference to analyze the structure and layout of the Han Dynasty courtyard combinations.This paper remodels the residential model and also discusses the architectural beauty of courtyard combination in Han Dynasty,analyzing the intrinsic characteristics of Han Dynasty courtyard combination from multiple aspects.As the political and economic center in Han Dynasty,the central plains region has the most significant influence on architecture.Under the combined influence of political,economic,cultural,and technological developments,the courtyard combination in Han Dynasty can be divided into four models according to basic combination model: courtyards with one house,two houses,three houses and four houses around.The construction characteristic and vision feature of each model is analyzed.Through the research and review on the courtyard combination in spirit utensils(mingqi)of the Han Dynasty,this paper analyzes the technical and artistic characteristics in architecture construction of the Han Dynasty.Although the existence of the historical fact in architecture of the Han Dynasty is limited,the urban style of the Han Dynasty is also restored in this paper under the reference of the political,economic,and cultural background of the Han Dynasty.From the aspects of architecture and artistic aesthetics,this paper verifies the practical significance of conducting a deep research on a large number of courtyard style spirit utensils(mingqi)in the central plains region.