Research On The Developmentand And Innovation Of Mogu Painting

As a form of expression of Chinese painting,boneless painting still attaches importance to the use of brush and ink,but it no longer blindly emphasizes the bone line,but through the "color painting" technique for creation.modern culture boom to eclecticism,especially after the western painting into China,the application of color is more and more widely,colour as no initial bone painting language,contributed to the bone and the perfect combination of color,to create the unique characteristics of the Chinese painting language.This paper summarizes the relationship between Mogu painting and innovation by combing the rise and fall of Mogu painting in Chinese painting in different periods,selecting the representative figures and their works in the prosperous stage of Mogu painting development.First of all,this paper analyzes the inheritance of brush and ink,color and freehand brushwork of Chinese painting in the Mogu painting method of contemporary Chinese painting by taking many contemporary Mogu painters as cases.This paper intends to focus on the painting language and aesthetic trend of Mogu painting in Chinese painting,as well as the two excellent painters tian liming and zhou jingxin,to study the innovation of Mogu painting in Chinese painting.And from the integration of Chinese and western,the nature and form of traditional Chinese painting and spiritual connotation of the point of view of the Mogu painting works analysis and demonstration.Finally,by analyzing the value of Mogu painting and its influence on Chinese painting,the author summarizes the future development trend of Mogu painting and puts forward the future prospect that Mogu painting should not blindly seek for new techniques and break away from traditional Chinese techniques.