A Study On The Reception Of Su Shi's Calligraphy In Qing Dynasty

As an open case Leekpai calligrapher of “contextual implication”,Su Shi occupied an important position in the history of Chinese Calligraphy.It goes without saying his individual value and influence.Su Shi has developed from cultural individual proceedings to culture symbol since the Northern Song Dynasty.The Calligraphic thoughts and opinions Su Shi supported has been influenced the development of calligraphic style in Qing Dynasty.However,scholars today mostly concentrated on his literary studies and his own calligraphic thoughts in the study of Su Shi,the research of his reception study is very few.There are few people have devoted their efforts to explore the study on the reception studies of Su Shi's calligraphy in Qing Dynasty.Therefore,I want from an acceptance perspective to comb the breadth and depth of Su Shi's calligraphy on the Reception Studies in Qing Dynasty,thus abundant the results of calligraphy research of Su Shi.The article is divided into the following parts.Introduction is to illustrate the research status,meaning and value of Reception Studies of Su Shi's Calligraphy,and give a brief outline of Calligraphic Reception from the Northern Song Dynasty to Qing Dynasty.The first part is the reason of why people in Qing dynasty accept Su Shi.Analysis and summary the praise of people in Qing dynasty,from calligraphy attainments,literary attainment to personality.Therefore provide material supports for after reception study.The second part is the reception of Su Shi's calligraphy in the early Qing Dynasty.Introduction the model inscription and calligraphy style that following Su Shi.Then from two parts,the calligraphy theory and practice to discuss the calligraphers of accepting Su Shi's calligraphy in the early Qing Dynasties.The third part is the reception of Su Shi's calligraphy in the middle term of Qing dynasty.First to introduction the background of the reception of Su Shi's calligraphy.Offer the perspective of partly calligraphers which accepted Su Shi's calligraphy,the two major sections are the scholars groups of which the core were Liu Yong and Weng Fanggang that accepted Su Shi's calligraphy.Thus examine thecalligraphers' acceptance level of Su Shi's calligraphy in the middle term of Qing dynasty.The forth part is the reception of Su Shi's calligraphy in late Qing dynasty.Explore the “Song poetry movement” during Daoguang and Xiangfeng periods,the poets group of “Tong Guang School” during Tongzhi and Guangxu periods,and the calligraphy and painting circle which the core was Zhang Zhidong of accepting Su Shi's calligraphy.Thus discuss the reception extent of Su Shi's calligraphy of calligraphiers in Qing dynasty.Therefore,briefly discuss the calligraphiers of accepting Su Shi's calligraphy under the stone inscription rubbings influence.