A Study On The Kitchen Wall Art Of Tibetan Residential Houses In Xiangcheng Area Of Ganzi Tibetan Autonomous Prefecture

There is a kind of kitchen stove wall art in Tibetan residential houses in Xiangcheng County,Ganzi Autonomous Prefecture,which has a wide variety of shapes with deep and magnificent appearance.It is not only the outcome of the fusion of national cultures but also the artistic expression of fork customs,people's beliefs and ethnical cultural psychology in Xiangcheng district with high value for artistic research.At present,there is few exploration and research on this special folk art in academia.Therefore,with the help of the vision and method of art anthropology,the author makes a field research of Xiangcheng area and tries to carry out a more comprehensive and in-depth study on the kitchen stove wall art by visiting Tibetan families and those related craftsmen.Furthermore,the shape structures and image symbols of kitchen stove wall in Xiangcheng district will be teased out and its cultural connotation will be explored.The introduction part of this paper mainly explains the research significance of this paper,relevant research status,research contents,research methods and process.The first chapter of the main body is to sort out the background of the research object's production and development,that is to say,to explain the basic conditions for the construction of kitchen wall art from Xiangcheng's geographical environment and production mode,and to clarify the cultural background of its formation from the perspective of social history and culture.The second chapter briefly introduces the spatial layout of the traditional Tibetan residential building,shows the living space environment of the kitchen stove wall construction,analyzes the structure and basic functions of the stove body where the stove wall is located.Based on the first-handinformation collected on the spot,the author elaborates its construction materials,production process and decorative colors in Xiangcheng district.The third chapter analyzes the overall image structure law of the kitchen wall art of Xiangcheng district by using the image analysis method based on a large number of field materials.The image symbols of the kitchen stove wall art are summarized into two parts: the core image and the decorative pattern.Then the meaning of each symbol is further explained so as to clarify the composition and connotation of the symbol elements of kitchen stove wall art.The fourth chapter discusses the holiness and secularity of the kitchen stove wall from people's consciousness and behavior,and analyzes its cultural characteristics of the kitchen wall art by observing the various connections between the Tibetan people and the kitchen stove wall in their daily life.The fifth chapter mainly combines religious and humanities and other contents,and pays attention to the dynamics of cultural exchange to explore and analyze the formation factors of stove wall art more and more deeply.The last part is the conclusion.From the perspective and method of art anthropology,the author summarizes the cause,form,content and cultural connotation of the kitchen stove wall art in Xiangcheng County and surrounding areas of Ganzi Tibetan Autonomous Prefecture,which is a unique national folk art studied in this paper,and makes some reflections on its human value.